Chuck Klosterman has 8 audiobooks on Listento.it, narrated by 10 narrators, with an average listener rating of 4.4★ across 127 ratings. The most-rated is But What If We're Wrong?.
Sex, Drugs, and Cocoa Puffs
Summary
From the kid who brought you Fargo Rock City, the first book in history to garner the praise of Stephen King, David Byrne, Donna Gaines, Sebastian Bach, Jonathan Lethem, and Rivers Cuomo, comes Sex, Drugs, and Cocoa Puffs, the first book in history to examine breakfast cereal, reality television, tribute bands, Internet porn, serial killers, and the Dixie Chicks. Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman, with an exhaustive knowledge of popular culture and a seemingly effortless ability to spin brilliant prose out of unlikely subject matter. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry of the 1980s, Chuck will make you think, he'll make you laugh, and he'll drive you insane, usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about movies, sports, television, music, books, video games, and kittens but, really, it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'"
©2003, 2004 Chuck Klosterman. All rights reserved. (P)2006 Simon & Schuster Inc. All rights reserved. Audioworks is an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc.
But What If We're Wrong?
Summary
New York Times best-selling author But What If We're Wrong? visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Chuck Klosterman asks questions that are profound in their simplicity: How certain are we about our understanding of gravity? How certain are we about our understanding of time? What will be the defining memory of rock music 500 years from today? How seriously should we view the content of our dreams? How seriously should we view the content of television? Are all sports destined for extinction? Is it possible that the greatest artist of our era is currently unknown (or - weirder still - widely known but entirely disrespected)? Is it possible that we "overrate" democracy? And perhaps most disturbing, is it possible that we've reached the end of knowledge? Klosterman visualizes the contemporary world as it will appear to those who'll perceive it as the distant past. Kinetically slingshotting through a broad spectrum of objective and subjective problems, But What If We're Wrong? is built on interviews with a variety of creative thinkers - George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, among others - interwoven with the type of high-wire humor and nontraditional analysis only Klosterman would dare to attempt. It's a seemingly impossible achievement: a book about the things we cannot know, explained as if we did. It's about how we live now, once "now" has become "then".
©2016 Chuck Klosterman (P)2016 Penguin Audio
Raised in Captivity
Summary
Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection, from the best-selling author of But What if We're Wrong? A man flying first class discovers a puma in the lavatory. A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one very special play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its newfound fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination. Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers. Read by Chuck Klosterman, James Urbaniak, Bill Wise, Eddie Huang, Jon Wurster, H. Jon Benjamin, Jon Dolan, Mike Birbiglia, Kurt Loder, John Hodgman, Sloane Crosley, Chris Gethard, Will Brill, Dennis Boutsikaris, Melissa Maerz, Jeremy Bobb, Scott Shepherd, Brent Musburger, and Vincent Kartheiser.
©2019 Chuck Klosterman (P)2019 Penguin Audio
Eating the Dinosaur
Summary
Chuck Klosterman has chronicled rock music, film, and sports for almost 15 years. He's covered extreme metal, extreme nostalgia, disposable art, disposable heroes, life on the road, life through the television, urban uncertainty, and small-town weirdness. Through a variety of mediums and with a multitude of motives, he's written about everything he can think of (and a lot that he's forgotten). The world keeps accelerating, but the pop ideas keep coming. In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.
©2009 Chuck Klosterman (P)2009 Simon & Schuster
I Wear the Black Hat
Summary
From New York Times best-selling author, "one of America's top cultural critics" (Entertainment Weekly), and "The Ethicist" for The New York Times Magazine, comes a new book of all original pieces on villains and villainy. Chuck Klosterman has walked into the darkness. As a boy, he related to the cultural figures who represented goodness - but as an adult, he found himself unconsciously aligning with their enemies. This was not because he necessarily liked what they were doing; it was because they were doing it on purpose (and they were doing it better). They wanted to be evil. And what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)? In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the concept of villainy. What was so Machiavellian about Machiavelli? Why don't we see Batman the same way we see Bernhard Goetz? Who's more worthy of our vitriol - Bill Clinton or Don Henley? What was O.J. Simpson's second-worst decision? And why is Klosterman still obsessed with some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat is the rare example of serious criticism that's instantly accessible and really, really funny. Klosterman is the only writer doing whatever it is he's doing.
©2013 Chuck Klosterman (P)2013 Simon & Schuster
Chuck Klosterman X
Summary
New York Times best-selling author and cultural critic Chuck Klosterman presents a unique audio companion for Chuck Klosterman X, in which he contextualizes and reads from the collection of his best articles and essays, providing both a fascinating tour of the past decade and an ideal introduction to the mind of one of the sharpest and most prolific observers of our unusual times. Klosterman has created an incomparable body of work in books, magazines, and newspapers and on the Web. His writing spans the realms of culture and sports while also addressing interpersonal issues, social quandaries, and ethical boundaries. Klosterman has written nine previous books, helped found and establish Grantland, served as the New York Times Magazine ethicist, worked on film and television productions, and contributed profiles and essays to outlets such as GQ, Esquire, The A.V. Club, Billboard, and The Guardian. Chuck Klosterman X collects the most intriguing of those pieces, and, for this audio companion, Klosterman offers intimate and exclusive commentary about each piece, telling stories about each one, reading excerpts, and relating unexpected asides and digressions. Subjects include Breaking Bad, Lou Reed, zombies, KISS, Jimmy Page, Stephen Malkmus, steroids, Mountain Dew, Chinese democracy, the Beatles, Jonathan Franzen, Taylor Swift, Tim Tebow, Kobe Bryant, Usain Bolt, Eddie Van Halen, Charlie Brown, the Cleveland Browns, and many more cultural figures and pop phenomena.
©2017 Chuck Klosterman (P)2017 Penguin Audio
Killing Yourself to Live
Summary
For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock 'n' roll all the way. Within the span of 21 days, Chuck had three relationships end, one by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field. A man in Dickinson, North Dakota, explained to him why we have fewer windmills than we used to. He listened to the KISS solo albums and the Rod Stewart box set. At one point, poisonous snakes became involved. The road is hard. From the Chelsea Hotel to the swampland where Lynyrd Skynyrd's plane went down to the site where Kurt Cobain blew his head off, Chuck explored every brand of rock star demise. He wanted to know why the greatest career move any musician can make is to stop breathing...and what this means for the rest of us.
©2005 Chuck Klosterman (P)2005 Tantor Media, Inc.
Chuck Klosterman IV
Summary
From the best-selling author of Sex, Drugs, and Cocoa Puffs and Killing Yourself to Live... Chuck Klosterman IV consists of three parts: THINGS THAT ARE TRUE Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides. THINGS THAT MIGHT BE TRUE Opinions and theories on everything from monogamy to guilt, and (of course) Advancement, with new hypothetical questions and asides. SOMETHING THAT ISN'T TRUE AT ALL This is new fiction. There's an introduction, but no asides. Well, there's an aside in the introduction, but none in the story.
©2003, 2004 Chuck Klosterman. All rights reserved (P)2006 Simon & Schuster Inc. All rights reserved.