Do we remember only the stories we can live with? The ones that make us look good in the rearview mirror? In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on 60 videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past. Carr's investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing - and, in the end, more miraculous - than he allowed himself to remember. Over the course of the book, he digs his way through a past that continues to evolve as he reports it. That long-ago night when he was so out of his mind that his best friend had to pull a gun on him to make him go away? A visit to the friend 20 years later reveals that Carr was pointing the gun. His lucrative side business as a cocaine dealer? Not all that lucrative, as it turned out, and filled with peril. His belief that after his twins were born, he quickly sobered up to become a parent? Nice story, if he could prove it. The notion that he was an easy choice as a custodial parent once he finally was sober? His lawyer pulls out the old file and gently explains it was a little more complicated than that. In one sense, the story of The Night of the Gun is a common one: a white-boy misdemeanant lands in a ditch and is restored to sanity through the love of his family, a God of his understanding, and a support group that will go unnamed. But when the whole truth is told, it does not end there. Ferocious and eloquent, courageous and bitingly funny, The Night of the Gun unravels the ways memory helps us not only create our lives, but survive them.
©2008 David Carr (P)2008 Simon and Schuster, Inc.
A career-spanning selection of the legendary reporter David Carrs writing for the New York Times, Washington City Paper, New York Magazine, the Atlantic, and more. Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalists craft. His range - from media politics to national politics, from rock n roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless. Whether he was breaking exclusives about Amazon or mourning Philip Seymour Hoffmans death or taking aim at editors who valued political trivia over substance, Carrs voice and concerns remain enormously influential and relevant. In these hundred or so articles, from a range of publications, we read his stories with fresh eyes. Edited by his widow, Jill Rooney Carr, and with an introduction written by one of the many journalists David Carr mentored and promoted, Ta-Nehisi Coates, Final Draft is a singular event in the world of writing news, an art increasingly endangered in these troubled times. Narrated by Christopher Ryan Grant. Christopher Ryan Grant is an actor and voice artist based in New York City. As well as narrating numerous audiobooks, and lending his voice to video games, animated shows, and radio/TV campaigns, he has also appeared on Broadway in The Iceman Cometh starring Denzel Washington and the Tony Award winning Million Dollar Quartet. He has been seen on stage recently in Coriolanus at Shakespeare in the Park, at The Public, Lincoln Center, New World Stages, Yale Rep, Shakespeare Theatre (DC), The MUNY, and at NY Stage and Film among many others. Film/TV credits include Rolling on the Floor Laughing, Hard Times for Softcore, How You Are to Me, The Other Two, and Nella the Princess Knight. He holds an MFA from the Yale School of Drama.
©2020 Jill Rooney Carr. Foreword © 2020 by Ta-Nehisi Coates (P)2020 Houghton Mifflin Harcourt Publishing Company
The award-winning author of Minor Characters writes with delicious transparency about a love that cannot be harnessed and a woman who refuses to be deceived. In the great wave of husband-leaving ushered in by the Sexual Revolution, Molly Held frees herself from her cold, flagrantly unfaithful husband after their final quarrel turns violent. With her five-year-old son, she lights out for an Upper West Side apartment and the new life she hopes to find with Conrad Schwartzberg - the charismatic radical lawyer who has recently become her lover. Having escaped from a desert, she lands in a swamp. While Conrad radiates positive energy, he is unable to tell Molly - or anyone who loves him - the truth. No longer the wronged wife, Molly now finds herself the Other Woman. She is sharing Conrad with Roberta, another refugee from marriage - with Conrads movements between the two of them disguised by his suspiciously frequent out-of-town engagements. Roberta either knows nothing or prefers to look the other way, but Mollys maddening capacity for double vision takes over her mind. What saves her from herself is her well-developed sense of irony, which never fails her - or the listener.
©1977, 1978 Joyce Johnson (P)2014 Audible Inc.