Jill Watts has 3 audiobooks on Listento.it, narrated by 2 narrators. The most-rated is The Black Cabinet.
"Why don't you come up and see me sometime?" Mae West invited and promptly captured the imagination of generations. Even today, years after her death, the actress and author is still regarded as the pop archetype of sexual wantonness and ribald humor. But who was this saucy starlet, a woman who was controversial enough to be jailed, pursued by film censors, and banned from the airwaves for the revolutionary content of her work, and yet would ascend to the status of film legend? Sifting through previously untapped sources, author Jill Watts unravels the enigmatic life of Mae West, tracing her early years spent in the Brooklyn subculture of boxers and underworld figures, and follows her journey through burlesque, vaudeville, Broadway and, finally, Hollywood, where she quickly became one of the big screen's most popular - and colorful - stars. Exploring West's penchant for contradiction and her carefully perpetuated paradoxes, Watts convincingly argues that Mae West borrowed heavily from African American culture, music, dance and humor, creating a subversive voice for herself by which she artfully challenged society and its assumptions regarding race, class and gender. Viewing West as a trickster, Watts demonstrates that by appropriating for her character the Black tradition of double-speak and "signifying", West also may have hinted at her own African-American ancestry and the phenomenon of a Black woman passing for White. This absolutely fascinating study is the first comprehensive, interpretive account of Mae West's life and work. It reveals a beloved icon as a radically subversive artist consciously creating her own complex image.
©2001 Jill Watts (P)2021 Oasis Audio
From an accomplished historian comes an uncompromising look at the pervasive racism in Hollywood, as seen through the life and times of actress Hattie McDaniel Hattie McDaniel is best known for her performance as Mammy, the sassy foil to Scarlett O’Hara in the movie classic Gone with the Wind. Her powerful performance won her an Oscar® and bolstered the hopes of Black Hollywood that the entertainment industry was finally ready to write more multidimensional, fully realized roles for Blacks. But despite this victory, and pleas by organizations such as the NAACP and SAG, roles for Blacks continued to denigrate the African American experience. So Hattie McDaniel continued to play servants. “I’d rather play a maid then be a maid”, Hattie McDaniel answered her critics, but her flip response belied a woman who was emotionally conflicted. Here, in an exhaustively detailed and incisive text by a talented historian, is the story of a valiant woman who defied the racism of her time.
©2005 Jill Watts (P)2021 Oasis Audio

In the early 20th century, most African Americans still lived in the South, disenfranchised, impoverished, terrorized by white violence, and denied the basic rights of citizenship. As the Democrats swept into the White House on a wave of Black defectors from the Party of Lincoln, a group of African-American intellectuals - legal minds, social scientists, media folk - sought to get the community's needs on the table. This would become the Black Cabinet, a group of African-American racial affairs experts working throughout the New Deal, forming an unofficial advisory council to lobby the President. But with the white Southern vote so important to the fortunes of the Party, the path would be far from smooth. Most prominent in the Black Cabinet were Mary McLeod Bethune, an educator close to Eleanor Roosevelt, and her "boys": Robert Weaver, a Harvard-educated economist who pioneered enforcement standards for federal anti-discrimination guidelines (and, years later, the first African-American Cabinet secretary); Bill Hastie, a lawyer who would become a federal appellate judge; Al Smith, head of the largest Black jobs program in the New Deal at the WPA; and Robert Vann, a newspaper publisher whose unstinting reporting on the administration's shortcomings would keep his erstwhile colleagues honest. Ralph Bunche, Walter White of the NAACP, A. Philip Randolph, and others are part of the story as well. But the Black Cabinet was never officially recognized by FDR, and with the demise of the New Deal, it disappeared from history. Jill Watts' The Black Cabinet is a dramatic full-scale examination of a forgotten moment that speaks directly to our own.
©2020 Jill Watts (P)2020 Random House Audio