Laura van den Berg has 4 audiobooks on Listento.it, narrated by 4 narrators, with an average listener rating of 3.5★ across 6 ratings. The most-rated is The Third Hotel.

"[A] future cult classic." (The New York Times Book Review) "There’s Borges and Bolaño, Kafka and Cortázar, Modiano and Murakami, and now Laura van den Berg." (The Washington Post) An August 2018 IndieNext Selection. Named a Summer 2018 Read by The Washington Post, Vulture, Nylon, Elle, BBC, InStyle, Refinery29, Bustle, O, the Oprah Magazine, Entertainment Weekly, Harper's Bazaar, Conde Nast Traveler, Southern Living, Lit Hub, and Vol. 1 Brooklyn. In Havana, Cuba, a widow tries to come to terms with her husband’s death - and the truth about their marriage - in Laura van den Berg’s surreal, mystifying story of psychological reflection and metaphysical mystery. Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He’s wearing a white linen suit she’s never seen before, and he’s supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way. The Third Hotel is a propulsive, brilliantly shape-shifting novel from an inventive author at the height of her narrative powers.
©2018 Laura van den Berg (P)2018 Audible, Inc.

Joy has no one. She spends her days working the graveyard shift at a grocery store outside Boston and nursing an addiction to cough syrup, an attempt to suppress her troubled past. But when a sickness that begins with memory loss and ends with death sweeps the country, Joy, for the first time in her life, seems to have an advantage: she is immune. When Joy's immunity gains her admittance to a hospital in rural Kansas, she sees a chance to escape her bleak existence. There she submits to peculiar treatments and follows seemingly arbitrary rules, forming cautious bonds with other patients - including her roommate, whom she turns to in the night for comfort, and twin boys who are digging a secret tunnel. As winter descends the hospital's fragile order breaks down, and Joy breaks free, embarking on a journey from Kansas to Florida, where she believes she can find her birth mother, the woman who abandoned her as a child. On the road in a devastated America, she encounters mysterious companions, cities turned strange, and one very eerie house. As Joy closes in on Florida, she must confront her own damaged memory and the secrets she has been keeping from herself.
©2015 Laura van den Berg (P)2015 Tantor

I Hold a Wolf by the Ears draws listeners into a world of wholly original, sideways ghost stories that linger in the mouth and mind like rotten, fragrant fruit. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg's trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Spain, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the thoughts we reveal to no one but ourselves. In "Lizards," a man mutes his wife's anxieties by giving her a La Croix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and violent consequences, while in "Karolina," a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what's left of life. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of "Slumberland," "that border between magic and annihilation," and further establishes herself as a defining fiction writer of our time.
©2020 Laura van den Berg (P)2020 Tantor

Containing work reprinted in Best Non-Required Reading 2008, Best New American Voices 2010, and The Pushcart Prizes 2010, the stories in Laura van den Berg's rich and inventive debut illuminate the intersection of the mythic and the mundane. A failed actress takes a job as a Bigfoot impersonator. A botanist seeking a rare flower crosses path with a group of men hunting the Loch Ness Monster. A disillusioned missionary in Africa grapples with grief and a growing obsession with a creature rumored to live in the forest of the Congo. And in the title story, a young woman traveling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer. Rendered with precision and longing, the women who narrate these starkly beautiful stories are consumed with searching - for absolution, for solace, for the flash of extraordinary in the ordinary that will forever alter their lives.
©2009 Laura van den Berg (P)2013 Audible, Inc.