Florence, de nos jours. Pietro Gerber est un psychiatre pour enfants, spécialiste de l'hypnose. Il arrive ainsi à extraire la vérité de jeunes patients tourmentés. Un jour, une consur australienne lui demande de poursuivre la thérapie de sa patiente qui vient d'arriver en Italie. Seul hic, c'est une adulte. Elle s'appelle Hanna Hall et elle est persuadée d'avoir tué son frère pendant son enfance. Intrigué, Gerber accepte mais c'est alors qu'une spirale infernale va s'enclencher : chaque séance d'hypnose révèle plus encore le terrible passé d'Hanna, mais aussi qu'elle en sait beaucoup trop sur la vie de Gerber. Et si Hanna Hall était venue le délivrer de ses propres démons ? Avec La maison des voix, Donato Carrisi renouvelle le thriller psychologique et nous laisse sans voix.
©2019 / 2020 Longanesi & C., Milano Gruppo editoriale Mauri Spagnol, Donato Carrisi / Calmann-Lévy (P)2021 Audiolib
From Jessica Knoll - author of Luckiest Girl Alive, the instant New York Times best seller and the best-selling debut novel of 2015 - comes a blisteringly paced thriller starring competitive sisters whose dark secrets and lies result in murder when they sign on to a reality TV show. When five hypersuccessful women agree to appear on a reality series set in New York City called Goal Diggers, the producers never expect the season will end in murder.... Brett's the fan favorite. Tattooed and only 27, the meteoric success of her spin studio - and her recent engagement to her girlfriend - has made her the object of jealousy and vitriol from her castmates. Kelly, Brett's older sister and business partner, is the most recent recruit, dismissed as a hanger-on by veteran cast. The golden child growing up, she defers to Brett now - a role that requires her to protect their shocking secret. Stephanie, the first black cast member and the oldest, is a successful best-selling author of erotic novels. There have long been whispers about her hot, nonworking actor-husband and his wandering eye, but this season the focus is on the rift that has opened between her and Brett, former best friends - and resentment soon breeds contempt. Lauren, the start-up world's darling whose drinking has gotten out of control, is Goal Diggers' recovery narrative - everyone loves a comeback story. And Jen, made rich and famous through her cultishly popular vegan food line plays a holistic hippie for the cameras but is perhaps the most ruthless of them all when the cameras are off. The Favorite Sister explores the invisible barriers that prevent women from rising up the ranks in today's America - and offers a scathing take on the oft-lionized bonds of sisterhood and the relentless pressure to stay young, relevant, and salable.
©2018 Jessic Knoll (P)2018 Simon & Schuster Audio
Lydia (Aja Naomi King) and Henry (Jason Butler Harner)s dinner guests (Madeline Brewer and William Jackson Harper) are about to arrive when Henrys spontaneous marriage proposal threatens to burn the evening to a crisp. Wine bottles and years of unspoken tensions are uncorked, and before the evening is through, Lydia must confront her long-held fears and feelings if shes going to commit to a future with Henry. Directed by Whitney White, Stacy Osei-Kuffours world premiere comedy marches into the muddy intersection of romantic entanglement, identity, pride, and survival. Please Note: Animals contains adult language.
©2020 Stacy Osei-Kuffour (P)2020 AO Media LLC
On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall's The Mountaintop. Hours after King's final speech, punctuated by his immortal line "I've been to the mountaintop", the celebrated reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day. An L.A. Theatre Works full cast performance featuring: Aja Naomi King as Camae Larry Powell as Dr. Martin Luther King Jr. Directed by Roger Guenveur Smith Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLAm in May 2016
©2016 Katori Hall (P)2016 L.A. Theatre Works