Kate Bornstein has narrated 2 audiobooks on Listento.it by 3 authors, with an average listener rating of 4.5★ across 6 ratings. The most-rated is Gender Outlaw.

"I know I'm not a man...and I've come to the conclusion that I'm probably not a woman, either.... The trouble is, we're living in a world that insists we be one or the other." With these words, Kate Bornstein ushers listeners on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein's transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions. Gender Outlaw was decades ahead of its time when it was first published in 1994. Now, some 20-odd years later, this book stands as both a classic and a still-revolutionary work - one that continues to push us gently but profoundly to the furthest borders of the gender frontier.
©1994 Routledge (P)2018 Tantor

In this world premiere play, written by and featuring Shakina Nayfack, a vibrant, international group of transgender women band together at a hotel in Thailand to confront the challenges and joys of gender confirmation surgery. Despite the group’s warm welcome, Kina (Nayfack) prepares for her life-altering operation all alone. But a caring nurse (Ivory Aquino), a wise couple (Kate Bornstein and Annie Golden), and a karaoke-loving bellhop (Telly Leung) may be exactly who she needs to ignite her truest sense of self. WTF Associate Artistic Director Laura Savia directs this spirited comedy about a woman who tests the bonds of an unlikely sisterhood. The playwright wishes to thank The Drama League's Beatrice Terry Residency, Daryl Roth, Natasha Sinha, Beehive Dramaturgy Studio, Playwrights Horizons, Rachel Jett, Daryl Roth, and the Eugene O’Neill Theatre Center’s National Theatre Institute. Note: This play contains mature themes and language.
©2020 Shakina Nayfack (P)2020 AO Media LLC