Robert Greenberg has narrated 25 audiobooks on Listento.it by 2 authors, with an average listener rating of 4.9★ across 334 ratings. The most-rated is How to Listen to and Understand Great Music, 3rd Edition.
How to Listen to and Understand Great Music, 3rd Edition
Summary
Great music is a language unto its own, a means of communication of unmatched beauty and genius. And it has an undeniable power to move us in ways that enrich our lives - provided it is understood. If you have ever longed to appreciate great concert music, to learn its glorious language and share in its sublime pleasures, the way is now open to you, through this series of 48 wonderful lectures designed to make music accessible to everyone who yearns to know it, regardless of prior training or knowledge. It's a lecture series that will enable you to first grasp music's forms, techniques, and terms - the grammatical elements that make you fluent in its language - and then use that newfound fluency to finally hear and understand what the greatest composers in history are actually saying to us. And as you learn the gifts given us by nearly every major composer, you'll come to know there is one we share with each of them - a common humanity that lets us finally understand that these were simply people speaking to us, sharing their passion and wanting desperately to be heard. Using digitally recorded musical passages to illustrate his points, Professor Greenberg will take you inside magnificent compositions by Bach, Handel, Haydn, Mozart, Beethoven, Chopin, Verdi, Wagner, Brahms, Tchaikovsky, Stravinsky, and more. Even if you have listened to many of these illustrative pieces throughout your life - as so many of us have - you will never hear them the same way again after experiencing these lectures.
©2006 The Teaching Company, LLC (P)2006 The Great Courses
The 30 Greatest Orchestral Works
Summary
Over the centuries, orchestral music has given us a category of works that stand apart as transcendent expressions of the human spirit. What are these "greatest of the greats"? Find out in these 32 richly detailed lectures that take you on a sumptuous grand tour of the symphonic pieces that continue to live at the center of our musical culture. These thirty masterworks form an essential foundation for any music collection and a focal point for understanding the orchestral medium and deepening your insight into the communicative power of music. While seasoned music lovers will find the lectures a revealing journey through the repertoire, the course welcomes newcomers to orchestral music, offering a very accessible point of entry to this magnificent repertoire. You'll encounter symphonies, concertos, tone poems, symphonic poems, and suites, delving into the works through extensive musical excerpts. The course covers the major eras and stylistic periods in Western music from the early 18th- to the mid-20th centuries and highlights a wide range of European and American works. Among these: Haydn's Symphony no. 104, Beethoven's Ninth Symphony, Stravinsky's The Rite of Spring, and Shostakovich's Symphony no. 5. Throughout these lectures, you'll learn about the major musical forms found in orchestral writing and how they're used in conveying expressive meanings. Knowing how these forms work allows you to grasp the structure of the music as you hear it, and also to appreciate how the greatest composers used them, extended them, and finally departed from them in sublimely original ways. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2011 The Teaching Company, LLC (P)2011 The Great Courses
Music as a Mirror of History
Summary
In the worlds of painting and literature, it's easy to see where history and art intersect. In Picasso's Guernica or Tolstoy's War and Peace, it's evident how works of art mirror and participate in the life of their times, sometimes even playing roles in historical events. But what about music? In Music as a Mirror of History, Great Courses favorite Professor Greenberg of San Francisco Performances returns with a fascinating and provocative premise: Despite the abstractness and the universality of music - and our habit of listening to it divorced from any historical context - music is a mirror of the historical setting in which it was created. Music carries a rich spectrum of social, cultural, historical, and philosophical information, all grounded in the life and experience of the composer - if you're aware of what you're listening to. In these 24 lectures, you'll explore how composers convey such explicit information, evoking specific states of mind and giving voice to communal emotions, all colored by their own personal experiences. Music lovers and history enthusiasts alike will be enthralled by this exploration of how momentous compositions have responded to - and inspired - pivotal events. Ranging widely across the 18th, 19th, and 20th centuries, you witness historical moments such as the French Revolution, the Napoleonic Wars, the Austrian-Ottoman conflict, the Hungarian nationalist movement, the movement for Italian unification, the economic ascent of the US, the Stalinist regime in the USSR, and World Wars I and II. Across the arc of the course, you'll see how these events were felt and expressed in the music of Mozart, Beethoven, Berlioz, Brahms, Verdi, Wagner, and many others, including modern masters such as Janácek, Górecki, and Crumb, and you'll hear superlative musical excerpts in each lecture. Join us for an unparalleled look into the power and scope of musical art. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio.
©2016 The Teaching Company, LLC (P)2016 The Great Courses
How to Listen to and Understand Opera
Summary
To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much? And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has enthralled audiences for more than 400 years. As you meet the geniuses - including the likes of Monteverdi, Mozart, Verdi, Wagner, and Puccini - who have produced some of the landmark artistic achievements of the form, and listen to many of their most beautiful moments, you'll grasp how the addition of music can reveal truths beyond what mere spoken words can convey, and how opera's unique marriage of words and music makes the whole far greater than the sum of its parts. Beginning with opera's origins in the early 17th century and continuing into the 20th, you'll trace the art's evolution and its ability to convey every shade of human emotion, whether sorrow or joy, drama or buffoonery. You'll understand how different types of voices enhance character. And you'll understand how the invention of the aria gave operatic composers a new power to make human emotions soar, adding to the impact of what continues to be one of the most beautiful musical forms ever devised. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©1997 The Teaching Company, LLC (P)1997 The Great Courses
The 23 Greatest Solo Piano Works
Summary
The piano is the most popular solo concert instrument in Western music. One of the key reasons is the fact that it has inspired many of the greatest masterpieces in the concert repertoire. To study these masterworks and to understand their genius and lasting appeal is to know one of the greatest accomplishments of Western culture, works that give great pleasure even as they deepen your insight into the meaning of music. The 23 works you'll study are carefully chosen to highlight the most important compositional and pianistic achievements in the solo piano tradition. These 24 enthralling lectures by Professor Greenberg take you through more than 200 years of piano music. Beginning with the monumental figure of Bach, followed by Mozart and Beethoven, you experience the piano music of such 19th-century masters as Chopin, Schumann, and Liszt, before moving forward to visionary modernists including Scriabin, Debussy, and Prokofiev. Each lecture presents a single work in a fresh, accessible encounter with its musical substance, welcoming listeners new to concert music as well as experienced concert music lovers. In addition to your study of the music, the lectures treat you to a rich panorama of music history. You dig deeply into the artistic and cultural environments that the compositions reflect, shedding light on what inspired these great works and how they were written. As a third layer of the course, you delve into the fascinating history of the piano itself, uncovering the ways in which the evolution of the instrument directly influenced the music that composers wrote for it. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2013 The Great Courses (P)2013 The Teaching Company, LLC
Great Masters: Shostakovich - His Life and Music
Summary
Dmitri Shostakovich is without a doubt one of the central composers of the 20th century. His symphonies and string quartets are mainstays of the repertoire. But Shostakovich is also a figure whose story raises challenging and exciting issues that go far beyond music: they touch on questions of conscience, the moral role of the artist, the plight of humanity in the face of total war and mass oppression, and the inner life of history's bloodiest century. And though he was not without flaws, he was a faithful witness to the survival of the human spirit under totalitarianism. And now you can discover the extraordinary life, times, and music of Shostakovich in a probing series of eight lectures from an acclaimed conductor, teacher, and music historian. Drawing on both the flood of declassified documents from the Soviet Union that began in 1991 and Shostakovich's own extraordinarily frank posthumous reminiscences, Professor Greenberg shows how Shostakovich, who, in the words of a friend, "did not want to rot in a prison or a graveyard" was still unwilling to become a docile instrument of the Soviet regime. You'll learn how what he would not say publicly in words, he instead said through his music - messages from a buried life of his experiences during the terror of Stalin, the Nazi destruction of his country, postwar reconstruction, and the arms race. In work after work, often composed under crushing difficulty and anxiety, you'll hear how he used a brilliant arsenal of ironic conceits, musical quotes from un-Soviet sources such as American jazz or Jewish klezmer tunes, and other techniques to assert the integrity of his art in the face of totalitarian oppression, and to pay, as he said, "homage to the dead." PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2002 The Teaching Company, LLC (P)2002 The Great Courses
The Operas of Mozart
Summary
When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the greatest weight. Artistically, the world of the operatic stage spoke deeply to his primal instinct for play, his taste for fantasy, and his restless creative imagination. And in this rich series of eight entertaining lectures, you'll learn how his operas vied with one another for the acclaim reserved for the greatest achievements of human artistic striving: Idomeneo, The Abduction from the Harem, The Marriage of Figaro, Così fan tutte, Don Giovanni, and The Magic Flute, which premiered only ten weeks before his untimely death. In addition to summarizing Mozart's life and artistic development, the lectures focus on two of his greatest masterpieces, Così fan tutte and The Magic Flute, to help you understand more fully the height of Mozart's operatic achievement. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2003 The Teaching Company, LLC (P)2003 The Great Courses
Great Masters: Mahler - His Life and Music
Summary
More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world of overwhelming alienation and loneliness - "thrice homeless," in his own words, "as a Bohemian in Austria, as an Austrian among Germans, as a Jew throughout the world - everywhere an intruder, never welcomed." Incredibly, Mahler was able to draw upon the diversity of this world that offered him no true home, as well as his often tortured inner world, to create rich and original music. It's a music whose power you will be able to appreciate fully after experiencing this eight-lecture exploration of the life and work of this titan of post-Romantic musical history, a complex, anxiety-bound visionary whose continual search for perfection and the answers to life's mysteries is profoundly reflected in his symphonies and songs. You'll learn, through both lectures and musical excerpts, how his symphonies are vast repositories of his intellectual, emotional, and spiritual expression that made him the first exponent of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality - but explored by Mahler using the musical language of the century just ended. And you'll learn how Mahler's music is, ultimately, about himself: the lonely, isolated individual.
©2001 The Teaching Company, LLC (P)2001 The Great Courses
The Symphonies of Beethoven
Summary
Ludwig van Beethoven is justifiably acclaimed as one of the most revered composers in the history of Western music-a genius once characterized as a "Titan, wrestling with the gods." There is no better way for you to understand the full impact of that description than to not only listen to all nine of his magnificent symphonies, but to do so with a full understanding of what this great composer was saying and the circumstances that drove him up to and beyond what had once been considered the limits of musical expression. The 32 lectures that make up this detailed introduction to Beethoven explores each of his symphonies in depth, explaining the gifts of musical communication that made this composer unique. Even without any previous musical training, you'll be able to grasp the absolute directness that made his work so accessible, the sheer emotional power that could never be ignored, and the ways in which his ideas were revolutionary on every level. Beginning with an introduction to Beethoven the man and the musical and societal forces that shaped his development, you'll explore his breathtaking innovations: harmonic, melodic, rhythmic, formal, dramatic, self-expressive, and emotional. And you'll come to understand how and why this man was able to lead music into a totally new era as he dispensed with the restraint of 18th-century Classicism to usher in the era of romantic self-expression - even as his own ability to even hear what he was creating was progressively and tragically vanishing. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©1996 The Teaching Company, LLC (P)1996 The Great Courses
The String Quartets of Beethoven
Summary
In his 16 quartets for two violins, viola, and cello, Beethoven created a Mount Everest for string players and some of the most sublime, unforgettable music ever written. In this musically rich 24-lecture series, Professor Greenberg guides you in a deep encounter with these majestic works of art, offering you the rare opportunity to grasp the musical riches and spiritual greatness of the quartets in a clear and accessible way. You'll uncover the musical underpinnings of the luminous beauty, emotional depth, and dramatic scope that make these quartets legendary; examine the inner workings of one of history's most innovative minds; learn the "ritual template" of the Classical string quartet; and probe the seminal innovations of Haydn and Mozart within the template, as they set the stage for the explosive arrival of Beethoven. The heart of this series is a movement-by-movement exploration of the individual Beethoven quartets, revealing the arc of the composer's fierce independence and imagination as he brings to the string quartet an expressive, formal, and narrative range undreamed of by earlier musicians. You'll delve deeply into the musical innovations that underlie Beethoven's creativity in these works, including "motivic" development, originality, and contextual use of form. Each of these lectures is a rare and life-enriching opportunity to know the scope of Beethoven's genius, his most unforgettable music, and the profound humanity and beauty that live through them.
©2009 The Teaching Company, LLC (P)2009 The Great Courses
The Life and Operas of Verdi
Summary
The Italians have a word for the sense of dazzling beauty produced by effortless mastery: sprezzatura. And perhaps no cultural form associated with Italy is as steeped in the love of sprezzatura as opera, a genre the Italians invented. No composer has embodied the ideal of sprezzatura as magnificently as Giuseppe Verdi, the gruff, self-described "farmer" from the Po Valley who gave us 28 operas and remains to this day the most popular composer in the genre's 400-year-old history. His operas are produced more than those of any other composer, and one source claims that his La Traviata (1853) has been staged live somewhere around the world every evening for the past 100 years! This series of 32 lectures from one of music's most acclaimed teachers combines biography with a variety of musical excerpts to reveal the treasures of creativity that account for this popularity. It explores in depth and detail both the famous and not-so-famous Verdi operas, as well as his one great concert work, the Requiem Mass of 1874; his early songs; and his very last composition, a setting of the Stabat Mater. You trace his development from a more or less conventional composer of operas in the traditional Italian bel canto (beautifully sung) style to a creator of truly innovative musical dramas in which the power of music to intensify and explore human emotion is exploited to the fullest degree. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2003 The Teaching Company, LLC (P)2003 The Great Courses
Beethoven's Piano Sonatas
Summary
A revolutionary man living in a revolutionary time, Beethoven used the piano as his personal musical laboratory. The piano sonata became, more than any other genre of music, a place where he could experiment with harmony, motivic development, the contextual use of form, and, most important, his developing view of music as a self-expressive art. Beethoven's 32 piano sonatas include some of his most popular works as well as some of his most experimental. More than any other of his amazing works, Beethoven's piano sonatas are his personal testament, expressed in his own voice. These 24 marvelous lectures touch on every one of these fascinating pieces, approaching them chronologically, from the terse and powerful first sonata of 1795 to the revolutionary Hammerklavier Sonata of 1818 and the radical last three sonatas of 1820-1822. The sonatas are not simply compositions for the piano but are about the developing technology of the piano itself, an evolving instrument that Beethoven pushed to its limits and then beyond, ultimately writing music for an idealized piano that didn't come into existence until 40 years after his death. Because Beethoven died 50 years before the invention of sound recording, we will never hear his voice or the sound of his playing. Instead, Professor Greenberg plays you hundreds of excerpts of Maestro Claude Frank's recordings over the span of the course. Truly, Beethoven's piano music is his voice, emerging from his mind through his fingers to our ears and hearts. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2005 The Teaching Company, LLC (P)2005 The Great Courses
Great Masters: Mozart - His Life and Music
Summary
Even from the perspective of time, it is nearly impossible to grasp the full contribution made to music by Wolfgang Amadeus Mozart in his brief and glorious life. He composed his first symphony at the age of 8 and reached full artistic maturity by the time he was only 20. And when he died at the age of 35, he left a legacy of more than 600 works of brilliance - symphonies, chamber music, operas, and more - most composed during an incredibly productive 20-year period. But even though it can well take a lifetime to fully grasp the achievement of the man described by Rossini as "the only composer who had as much knowledge as genius and as much genius as knowledge", every step of that journey toward understanding will be a joy - one you can begin with this fascinating eight-lecture series, which can serve as both a stand-alone introduction to this extraordinary composer or as the gateway to a lifetime of appreciation and pleasure. Beginning with an examination of the many myths that surround Mozart to this day, Professor Greenberg offers not only an understanding of his music, but also a realistic view of Mozart the boy and man, from his emergence as youthful prodigy to his posthumous deification.You'll learn about his difficult and ultimately doomed relationship with his father, his troubled marriage, his relationships with luminaries like Haydn, Emperor Joseph II, and his operatic librettist, Lorenzo da Ponte, and the triumphs and disappointments that marked his career - including the astonishing and inexplicable creative recovery that enabled him to create his great Masonic opera, The Magic Flute, only months before his death. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2000 The Teaching Company, LLC (P)2000 The Great Courses
Great Masters: Beethoven - His Life and Music
Summary
Have you ever wondered how the lives of great composers - especially when set against the social, political, and cultural context of their world - influenced their music? After listening to this perceptive series of eight lectures on the life and music of Ludwig van Beethoven, you will likely find that you hear his work in an entirely different way, with your insight informed by new knowledge of how Beethoven was able to create masterpieces from the crises of his life. You'll learn about the years of progressive hearing loss - ultimately to produce total deafness - and the understandable agony and rage such a fate would bring upon a composer. About his deep depression over the end of his relationship with the woman he calls his Immortal Beloved. About his pathological hatred of authority, his persecution complex, even delusional behaviors. But you'll also learn how each of these crises, and many others, served to drive Beethoven inward, to reinvent himself and redeem his suffering through art, creating disruptive works of profound passion and beauty that reinvented the nature of musical expression in the Western world. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2001 The Teaching Company, LLC (P)2001 The Great Courses
The Chamber Music of Mozart
Summary
Nowhere is Mozart's maturity and mastery more apparent than in the chamber music he wrote during the last 10 years of his life. These 16 lectures take you deep inside the structure of Mozart's chamber masterworks to reveal his hand at work. This is an amazing opportunity to hear, study, and enjoy a selection of immortal musical compositions that Professor Greenberg calls "a blessing of inconceivable richness". You will learn the basic "language" that all 18th-century composers used to write Classical music. You'll also explore the subtleties of Mozart's technique as a composer: his ability to make art "artless" - music that is enormously complex and sophisticated but which sounds simple and effortless - and to know how and when to bend or break the rules of composition. Professor Greenberg teaches you about the three different "generic types" of chamber music that Mozart composed: string quartets, works for piano and another instrument or instruments, and combinations that employ neither a string quartet nor a piano. The centerpiece of these works, drawn primarily from Mozart's "golden years" in Vienna, 1781-1791, is the set of six Haydn string quartets that Mozart dedicated to his friend Joseph Haydn. With a delightful blend of music analysis and appreciation and biographical narration, Professor Greenberg paints a detailed and compelling portrait of Mozart as man who commanded seemingly superhuman musical ability but could be all too human. You'll come away with a solid grasp of Mozart's profound impact as a composer and an improved understanding of what it takes to compose great music.
©2004 The Teaching Company, LLC (P)2004 The Great Courses
Great Masters: Tchaikovsky - His Life and Music
Summary
Although we often think of an artist's work as a window into their own inner world, that is not always the case. In the life of Peter Ilyich Tchaikovsky, however, we can see perhaps the closest link to be found anywhere between a creative product and the shifting moods of a turbulent soul, which found its outlet through the glorious music created by the great Russian composer. To know his music, you must know the man, and this fast-moving series of eight lectures from an award-winning composer and accomplished teacher offers an insightful look into both the circumstances of Tchaikovsky's life and the impact that life had on his music. You'll learn about his fear of conducting, his disastrous marriage and subsequent suicide attempt, his depression, and the constant anxiety that his closeted homosexuality would become public-a fear that proved prophetic and led to a second, and successful, attempt to take his own life. Torn by the conflicts between his own Romantic inclination for expression and the requirements of Classical structure - he was the first full-time, formally trained, professional composer in Russian history - Tchaikovsky's music is a delicate balancing act. Heart versus head, emotion versus reason, release versus control, the expressiveness demanded of his Russian soul and the strictures of Classical technique - all of these conflicts find their way into his music, and give it its extraordinary emotional power.
©2000 The Teaching Company, LLC (P)2000 The Great Courses
Great Masters: Liszt - His Life and Music
Summary
More than anyone before him - more than Beethoven, Byron, even the preternatural Paganini - it was Franz Liszt who created one of the most enduring archetypes of the Romantic era: that of the artist, "who walks with God and brings down fire from heaven in order to kindle the hearts of humankind." An innovative composer both for his own instrument and on an orchestral scale, Liszt was without a doubt the greatest pianist of his time and perhaps the greatest of all time, stunning even the most jaded critics and listeners everywhere he went with his sheer virtuosity and almost unbelievable musical gifts - even while playing whatever instrument was available in whatever hall he could find during his arduous travels by mail coach throughout Europe. Yet even though his fame and achievement make him one of the most written about composers of the 19th century, musically he remains the least understood. And as for his life, perhaps a good place to begin is with Felix Mendelssohn's observation that Liszt's character was "a continual alternation between scandal and apotheosis." Still, for every lover of music, Liszt remains someone you must understand, and this eight-lecture series is an ideal place to begin your acquaintance with both the man and his music.
©2002 The Teaching Company, LLC (P)2002 The Great Courses
Great Masters: Robert and Clara Schumann - Their Lives and Music
Summary
In all the annals of Western music, there has never been a couple like the Schumanns: he a pioneering critic and composer (the only ever to achieve greatness as both), she one of the leading concert pianists of Europe, as well as a composer of no small talent herself. This series of eight lectures by an award-winning composer and acclaimed teacher includes excerpts of works by both of the Schumanns as part of an introduction to an extraordinary couple and the musical legacy left to us in spite of the difficulties that dogged their marriage. Though a loving one that produced eight children, their partnership also had to withstand the pressures of raising those children, managing two careers, and overcoming the tensions posed by Robert-an emotionally unstable man who alternated between manic bouts of awesome creativity and terrifying fits of depression, exacerbating the worsening effects of the syphilis that would eventually kill him. His death left Clara to not only raise the children but also to support the family through an exhausting schedule of concertizing. Despite his ill health, Robert still left behind a magnificent legacy of compositions and insights into music that you explore in these lectures-a legacy that included his return to criticism so he could introduce to the world a then-unknown Johannes Brahms.
©2002 The Teaching Company, LLC (P)2002 The Great Courses
The Concerto
Summary
The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama - the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra. In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its maturation in the Classical age, its metamorphosis in the Romantic era, and its radical transformation in the 20th century and beyond. You'll listen to selections from nearly 100 concerti from more than 60 composers - from Gabrieli to Gershwin, from Schumann to Shostakovich. Along with the bedrock of the repertoire - represented by Vivaldi, Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Liszt, Brahms, Tchaikovsky, Dvorak, Rachmaninoff, Bartok, and many others - you are introduced to superb concerti by a host of less-familiar masters. You'll study in depth some of the greatest and most beloved works of the genre, including Mozart's Concerto for Flute in G Major, K. 313; Haydn's Concerto for Trumpet in E-flat Major; Beethoven's Piano Concerto no. 4 in G Major, op. 58; Chopin's Piano Concerto no. 2 in F Minor, op. 21; Grieg's Piano Concerto in A Minor, op. 16; and Tchaikovsky's Violin Concerto in D Major, op. 35. Finally, you'll look at some notoriously esoteric and difficult 20th-century composers, including Arnold Schönberg and Elliott Carter, learning how their music is much more accessible than it appears. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2006 The Teaching Company, LLC (P)2006 The Great Courses
The Music of Richard Wagner
Summary
In these 24 lectures filled with musical excerpts, enjoy a rich and multifaceted exploration of the trailblazing works and outsized life of this historically pivotal composer. Your immersion in Wagner's art includes the following: The Flying Dutchman (which illustrates several of Wagner's key compositional innovations) Tannhäuser (the saga of a medieval knight torn between two worlds) Tristan and Isolde (Wagner's crowning masterpiece) And, of course, The Ring of the Nibelung (arguably the single most ambitious theater work ever created) The sheer outlandishness of Wagner's life makes for an endlessly intriguing story, from his desperate escapades outrunning creditors to his obsessive personal relationships to his utopian artistic schemes. In his writings, letters, and public actions, you investigate the often contradictory - and hypocritical - aspects of his personality. And, reflecting on the nationalist spirit of his time, you track his core desire to make "German Art in the service of a German national identity," even as he created a body of works whose communicative power transcends any national boundary. With Professor Greenberg's passionate and razor-sharp commentary, you'll plumb the fabulous mystery of a man who gave the world something of deeply compelling and universal resonance: music of great genius and a poetry that reveals the depths of the human psyche. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
©2010 The Teaching Company, LLC (P)2010 The Great Courses