Barbara Keesling PhD has 2 audiobooks on Listento.it, narrated by 2 narrators. The most-rated is The Good Girl's Guide to Bad Girl Sex.

Hear the author of How to Make Love All Night unleash the mysteries of the female anatomy. Dr. Barbara Keesling's proven set of techniques will enable all women to not only reach climax easily, but to experience an incredibly intense orgasm that rivals all other erotic sensations. The key to this revolutionary method lies within the cul-de-sac, an ultra-sensitive region in the vaginal canal that once stimulated can regularly trigger explosive orgasms. By showing women how they can control their own sexual destiny every time they engage in lovemaking, Super Sexual Orgasm opens the door to a lifetime of sexual fulfillment.
(P) and ©1997 HarperCollins Publishers Inc., All Rights Reserved, Harper Audio, A Division of HarperCollins Publishers

If you’ve always been a good girl, maybe you’ve been a little envious of the bad girls and all the wild experiences they seem to be having. And maybe you just haven’t felt comfortable about crossing that bridge to the bad-girl side. What’s the difference between being good and being bad? A good girl says “no” to sexual experimentation and enhanced pleasure, and a bad girl says “yes, and yes again.” But why should bad girls have all the fun? Barbara Keesling believes in feeling good about being bad. She also believes that it’s no crime to flaunt it if you’ve got it, and this audio provides generous instruction on how to get it. Every woman will benefit from the excellent advice in this book about taking control of your sexual satisfaction and feeling great about it. So open up The Good Girl’s Guide to Bad Girl Sex and learn how to embrace orgasm, delight in your body, touch and tease your man, play with toys, and indulge yourself without guilt - just like bad girls do.
©2001 Barbara Keesling (P)2013 by Insatiable Press Limited. All rights reserved. Copyright exists on all recordings issued by Insatiable Press Limited. Any unauthorized broadcasting, public performance, copying or re-recordings in any manner whatsoever, will constitute an infringement of such copyright.