There was once a velveteen rabbit, and in the beginning he was really splendid. He was fat and bunchy, as a rabbit should be; his coat was spotted brown and white, he had real thread whiskers, and his ears were lined with pink sateen. On Christmas morning, when he sat wedged in the top of the Boy's stocking, with a sprig of holly between his paws, the effect was charming. There were other things in the stocking, nuts and oranges and a toy engine, and chocolate almonds and a clockwork mouse, but the Rabbit was quite the best of all. For at least two hours the Boy loved him, and then Aunts and Uncles came to dinner, and there was a great rustling of tissue paper and unwrapping of parcels, and in the excitement of looking at all the new presents the Velveteen Rabbit was forgotten. For a long time he lived in the toy cupboard or on the nursery floor, and no one thought very much about him. He was naturally shy, and being only made of velveteen, some of the more expensive toys quite snubbed him.
Public Domain (P)2020 Audible, Inc.
"When a child loves you for a long, long time, not just to play with, but really loves you, then you become real." First published in 1922, Margery Williams' enchanting story about a toy rabbit is a classic of children's literature. This gentle rendition comes alive through Meryl Streep's soothing narration and George Winston's beautiful music score. Ages four and up.
©1990 Rabbit Ears Entertainment, LLC (P)2016 Rabbit Ears Entertainment, LLC
In The Velveteen Rabbit by Margery Williams, a stuffed rabbit sewn from velveteen is given as a Christmas present to a small boy. The boy plays with his other new presents and forgets the velveteen rabbit for a time. These presents are modern and mechanical, and snub the old-fashioned velveteen rabbit. The wisest and oldest toy in the nursery, the Skin Horse, who was owned by the boy's uncle, tells the rabbit about toys magically becoming real due to love from children. The rabbit is awed by this idea; however, his chances of achieving this wish are slight. One night the boy's Nana gives the rabbit to the boy to sleep with, in place of a lost toy. The rabbit becomes the boy's favorite toy, enjoying picnics with him in the spring, and the boy regards the rabbit as real. Time passes, and the rabbit becomes shabbier but happy. He meets some real rabbits in the summer, and they learn that he cannot hop as they do, and say that he is not real.
Public Domain (P)2019 Gregg Rizzo
The longer her imprisonment went on, the more she cast her mind back to the stolen hours they had spent together. His love had blown in like an unexpected breath of warm summer air, giving her the promise of life and joy. But now they had been torn apart and she was tormented by the thought that they might never be reunited. Italy, 1938: When Stella arrives in Florence, its love at first sight. She is wowed by the rolling hills dotted with olive trees, the buttermilk villas with shuttered windows and terracotta roofs that glow gloriously in the sunlight. Even the breeze holds the scent of freedom - freedom from England, where the shadow of her past haunted her. Then there is Ted, an American journalist who is wild and mischievous, with an arrogance bordering on rude. Stella is infuriated by him - but she cannot deny the lure of the danger and excitement he promises. But there is something dark under the bright surface of this beautiful country, with unspeakable tragedies just around the corner. When the Nazis take control of Italy, Stella and Ted - and whatever dreams the future held for them - are ripped apart. As bombs descend, destroying everything in their wake, there is nothing to do but sit in darkness, praying to see tomorrow. And it seems that even in Italy, Stellas past has found her. Somewhere in the winding streets of Florence there is a letter that could change the course of her fate. Unknown to her, it holds a secret with the power to rewrite her past, and everything she has been running away from. But will she live to find it? And with the odds stacked against her, will she ever see Ted again? This beautifully spun and stirring tale is about the impossible tragedies of war and the miraculous possibilities of love. Fans of Kristin Hannahs The Nightingale, Rhys Bowens The Tuscan Child, and The Letter by Kathryn Hughes will be utterly captivated.
©7 Clara Benson (P)2020 Bookouture, an imprint of Storyfire Ltd.
A wonderful gift for a child or an escape to gentler times. A story told by award-winning audiobook narrator Mike Vendetti, The Velveteen Rabbit starts out on Christmas morning. A young boy finds a stuffed rabbit nestled in his stocking. He loves the rabbit but forgets about him when more glamorous and expensive Christmas presents arrive. But chance will intervene twice in this magical story about childhood toys and the transformative power of love.
Public Domain (P)2020 Mike Vendetti
This classic story by Margery Williams, published in 1922, imparts the timeless message that toys need not be expensive or modern to be appreciated and loved. Through giving and receiving love, even a commonplace stuffed animal can become real in the eyes of a child, and millions of them do every day. Love is the magic ingredient of course, and it works on all of us.
Public Domain (P)2015 Phil Chenevert
This new edition of the timeless classic is beautifully narrated by BAFTA-nominated actor Juliet Stevenson. When the Velveteen Rabbit first arrives in the nursery, he is snubbed by the other toys. But the Rabbit soon makes friends with the Skin Horse, who explains how toys can become 'real', if only they are loved enough. The Velveteen Rabbit longs for this to happen until, one day, he finds that he is Boy's very favourite toy. They play together through a long, golden summer and, even though Rabbit becomes shabbier and shabbier, he becomes 'real' to the boy who loves him so much. The rabbits in the garden think otherwise - how can Rabbit be real when he can't leap and hop? But when Boy is ill with Scarlet Fever, and Rabbit is thrown away, Rabbit finally discovers what it truly means to be real. As he sheds a tear, a magical fairy transforms him into a real, wild rabbit, though her parting words remind him that he was always real to the boy.
©1922 Margery Williams (P)2017 Nosy Crow Ltd
Given as a Christmas gift to a young boy, the Velveteen Rabbit lives in the nursery with all the other toys, waiting for the day when the boy will choose the wisest resident of the nursery, who reveals the goal of all nursery toys: to be made "real" through the love of a human.
(P)2007 Scholastic Inc.
"What is real?" asked the Rabbit one day, when they were lying side by side in the nursery. "When a child loves you for a long, long time," replied the Skin Horse, "not just to play with, but really loves you, then you become real." The Rabbit sighed. He longed to become real.... After almost being forgotten on Christmas Day, the stuffed Velveteen Rabbit becomes a boy's most cherished toy, sharing in the adventures of childhood, from glorious summer days playing in the forest to cozy nights snuggled beneath warm covers. As the days pass, the rabbit's colors fade and his whiskers fall away, but the boy's love for him only deepens. Until one day the boy falls ill.... What happens next - as the transformative power of love works its magic - changes the Velveteen Rabbit forever.
Public Domain (P)2017 Maurice Bassett
A damning exploration of the many ways in which the effects and logic of anti-Black colonialism continue to inform our modern world. Colonialism and imperialism are often thought to be distant memories, whether they're glorified in Britain's collective nostalgia or taught as a sin of the past in history classes. This idea is bolstered by the emergence of India, China, Argentina, and other non-Western nations as leading world powers. Multiculturalism, immigration, and globalization have led traditionalists to fear that the West is in decline and that white people are rapidly being left behind; progressives and reactionaries alike espouse the belief that we live in a post-racial society. But imperialism, as Kehinde Andrews argues, is alive and well. It's just taken a new form: one in which the US and not Europe is at the center of Western dominion, and imperial power looks more like racial capitalism than the expansion of colonial holdings. The International Monetary Fund, World Bank, World Trade Organization, and even the United Nations are only some of these modern mechanisms of Western imperialism. Yet these imperialist logics and tactics are not limited to just the West or to white people, as in the neocolonial relationship between China and Africa. Diving deep into the concepts of racial capitalism and racial patriarchy, Andrews adds nuance and context to these often over-simplified narratives, challenging the right and the left in equal measure. Andrews takes the listener from genocide to slavery to colonialism, deftly explaining the histories of these phenomena, how their justifications are linked, and how they continue to shape our world to this day. The New Age of Empire is a damning indictment of white-centered ideologies from Marxism to neoliberalism, and a reminder that our histories are never really over.
©2021 Kehinde Andrews (P)2021 Bold Type Books