Caroline Aaron has narrated 4 audiobooks on Listento.it by 5 authors, with an average listener rating of 5★ across 1 ratings. The most-rated is Broadway Bound (Dramatization).
Broadway Bound (Dramatization)
Summary
Nominated of a Tony Award for Best Play, this is the final installment of the playwright's acclaimed biographical trilogy (preceded by Brighton Beach Memoirs and Biloxi Blues). Having returned from World War II, Eugene Jerome and his brother Stanley pair up to break into the world of professional comedy writing. Inspiration strikes when they aim their sights on their dysfunctional family - and the network broadcasts it nationwide!
©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works
Once in a Lifetime
Summary
It’s 1929 as The Jazz Singer hits the silver screen and the talkies promise to change movies forever. Enter three down-and-out vaudevillians who hatch a hare-brained scheme to “make it big” in Tinsel Town. Their plan? To open a voice academy for the witless stars of silent movies. The only things standing in their way are ditzy starlets and power-hungry movie moguls. Starring Ed Asner and directed by Moss Hart’s son, this is top-of-the-bill screwball comedy and Kaufman and Hart genius at its very best. An L.A. Theatre Works full-cast performance featuring (in alphabetical order) Caroline Aaron as Helen Hobart/Miss Chasen; Edward Asner as Herman Glogauer; Jen Dede as Susan Walker; Jeanie Hackett as Mrs. Walker/Miss Leighton; David Kaufman as George Lewis; Katharine Leonard as Florabel Leigh/Bridesmaid #2; Joe Liss as The Porter/Ernest/Mr. Flick/Weisskopf/The Bishop; Kellie Matteson as Phyllis Fontaine/Bridesmaid #1; Jon Matthews as Rudolph Kammerling/Fontaine Chauffer/Leading Man; Sarah Rafferty as May Daniels; Jonathan Silverman as Jerry Hyland; Steve Vinovich as Lawrence Vail/Leigh Chauffer/ Meterstein. Directed by Christopher Hart. Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in October 2009.
©2011 L.A. Theatre Works (P)2011 L.A. Theatre Works
Wendy and the Lost Boys
Summary
The authorized biography of Pulitzer Prize-winning playwright Wendy Wasserstein. In Wendy and the Lost Boys, best-selling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high-pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. Born on October 18, 1950, in Brooklyn, New York, to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein's five children. Lola had big dreams for her children. They didn't disappoint: Sandra, Wendy's glamorous sister, became a high-ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family's remarkable success was a fiercely guarded world of private tragedies.Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director Andr Bishop, former New York Times theater critic Frank Rich, and countless others. And still almost no one knew that Wendy was pregnant when, at age 48, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy's tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. In Wendy and the Lost Boys, Salamon assembles the fractured pieces, revealing Wendy in full. Though she lived an uncommon life, she spoke to a generation of women during an era of vast change. Revisiting Wendy's works - The Heidi Chronicles and others - we see Wendy in the free space of the theater, where her many selves all found voice. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams, and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old.
©2011 Julie Salamon (P)2012 Audible, Inc.
On Cussing
Summary
F--k the F--kity F--kin' F--ker. Fans of Katherine Dunn won't be surprised that this was her father's favorite sentence, or that, as a young girl, she heard it as a kind of profane poem, a secret song. For many of us, the language of Geek Love carries a similar staying power, born of Dunn's agile use of language and her strange, beautiful diction. And as a true exegete of the expletive, she remained undividedly devoted to obscenity - both as scholar and practitioner. In On Cussing, Dunn sketches a brief history of swear words and creates something of a field guide to their types and usages, from the common threat ("I'll squash you like a shithouse mouse") to the portmanteau intensifier ("Fan-f--king-tastic"). But she also explores their physiology - the physical impact on the reader or listener - and makes an argument for how and when to cuss with maximum effect. Equal parts informative and hilarious, this volume will delight Dunn's legion of fans, but it's also a must-have for anyone looking to more successfully wield their expletives, be it in writing or in everyday speech.
©2019 The Estate of Katherine Dunn (P)2019 Recorded Books