Edward Asner has narrated 28 audiobooks on Listento.it by 26 authors, with an average listener rating of 4.3★ across 482 ratings. The most-rated is The Complete Conversations with God.

The seminal trilogy of Neale Donald Walsch's ongoing dialogue with God are brought together here in one audio edition. Includes unabridged performances of Conversations with God: An Uncommon Dialogue Book I, Book II and Book III, the best-selling of the author's works. Few modern writers have had more influence on popular thinking about God than Neale Donald Walsch. Neale Donald Walsch, together with award-winning actors Ed Asner and Ellen Burstyn, reveals a God who is loving, believable, understanding of our weaknesses, and, most important, easy to talk with.
©2005 Neale Donald Walsch (P)2018 Phoenix Books

Suppose you could ask God the most puzzling questions about existence, and God would provide clear, understandable answers? It happened to Neale Donald Walsch. Conversations with God is Neale Donald Walsch's account of his direct conversations with God, beginning in 1992 while Walsch was immersed in a period of deep depression. He composed a letter to God in which he vented his frustrations, and much to his surprise, even shock, God answered him. Focusing on the universal truths that influence all life, Conversations with God offers a picture of the could be better. Conversations with God challenges us to push past the imagined boundaries of what we believe ourselves capable and look instead to all that we can attain as co-creators with God.
©1996 Neale Donald Walsch (P)2006, 2015 Audio Literature, Phoenix Books

In a follow-up to the worldwide best-selling Conversations with God trilogy, Neale Donald Walsch continues his extraordinary dialogue, asking how the wisdom in Conversations with God can be applied to everyday situations and what we can all do to have a working friendship with God. Offering wonderful insights into how to use our relationship with God in practical ways that make a difference in our daily lives, this program also recounts Walsch's personal experiences as they relate to the original trilogy.
©1999 Neale Donald Walsch. Cover Photo copyright Graham Chalmers/Panoramic Images. (P)1999 Phoenix Books

The dialogue expands.... Conversations with God, Book 3 is the final book of the original three-book series. As was written in the introduction to Book 1, it deals with “universal truths to the highest order, and the challenges and opportunities of the soul.” In Book 3, the dialogue expands to include more about the nature of God, about love and fear, about who we are and who we may become, and about the evolution of the human species that is about to take its place in the universal neighborhood. Here is a profound dialogue about the culture, philosophy, and spirituality of highly evolved beings (some of whom we presently call “aliens” or “ETs”) in other realms of the universe, and how they have learned to view life, love, and the pursuit of happiness. By reading this book, you will begin to see life in a different way and begin to question the truth of what you have known on this planet: “And so I end this dialogue as it began. As with life itself, it comes full circle. You have been given truth here. You have been given joy. You have been given love. You have been given here the answers to the largest mysteries of life. There is now only one question remaining. It is the question with which we began. The question is not, to whom do I talk, but who listens?”
©1998 Neale Donald Walsch (P)1999 Phoenix Books

First there was a conversation. It developed into a friendship. And now we stand on the threshold of spiritual oneness...of Communion with God. Neale Donald Walsch, along with Edward Asner and Ellen Burstyn, reads the latest in the life-altering series that began with Conversations with God. You have learned to talk to God, to have a conversation. You have been given strength, hope, and love in your friendship with God, and you have returned it, for faith is a two-way street. Now God reaches out again...offering you wholeness...communion. Now you will know the God who believes in you. You have come here to learn, through your own experience, that God resides within you. You have come to have a meeting with the Creator - a Creator who is within you and all around you. And in order to do so, you must look beyond the Ten Illusions of Humans. When you recognize these illusions, you can change the way you think. When you accept that they are only illusions, you can change what you believe. And when you live without them, you can change the world.
©2000 Neale Donald Walsch (P)2000 T. Jelen/Panoramic Images, Chicago; 16 9; 2000 HighBridge Company

All great truths begin as blasphemy. The time to challenge your most sacred beliefs is at hand. If you don't challenge your beliefs soon, your beliefs are going to challenge you. This audiobook is meant to be challenging. This audiobook is meant to save the world. Something extraordinary is about to happen on this planet. This audiobook contains an astonishing prediction. And that prediction comes from an astonishing source. Author Neale Donald Walsch says it comes directly from God. You will find it difficult not to be swept up in the startling and profound vision of our near future contained here. Tomorrow's God says, point blank, that humanity will soon recreate its experience of God in such a way that our experience of one another will be healed at last. You may agree or disagree with the contents of this audiobook, but you will never forget it.
©2004 Millenium Legacies, Inc. (P)2004 Simon & Schuster, Inc., SOUND IDEAS is an imprint of Simon & Schuster Audio Division, Simon & Schuster, Inc.

As a young Jewish man in 17th century Amsterdam, Baruch de Spinoza excelled as a theological student; but as he encountered free-thinking Protestants, atheists, and radicals in this relatively tolerant city, he began to question his religion and the nature of God. As a result, he was branded a heretic and faced excommunication. An L.A. Theatre Works full-cast performance featuring: Matthew Wolf as Baruch de Spinoza; Edward Asner as Abraham van Valkenburgh; Richard Easton as Saul Levi Mortera; Andrea Gabriel as Clara; Arye Gross as Ben Israel; Amy Pietz as Rebekah; James Wagner as Simon de Vries. Directed by Rosalind Ayres. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
©2011 L.A. Theatre Works (P)2011 L.A. Theatre Works

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ? who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka. In The Idiot, we meet the kindly, childlike Prince Myshkin as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the city compete for his affections, in a duel that grows increasingly dangerous.
©1994 L.A. Theatre Works (P)1994 L.A. Theatre Works

In the mid-1950s, the House Un-American Activities Committee began investigating the communist influence in the entertainment industry. This searing docudrama from actual transcripts of the hearings reveals how decent people were persuaded to name names - and the steep price paid by those who refused. An L.A. Theatre Works full-cast performance featuring: René Auberjonois, Edward Asner, Bonnie Bedelia, Jack Coleman, Bud Cort, Richard Dreyfuss, Hector Elizondo, Robert Foxworth, Harry Hamlin, James Earl Jones, Richard Masur, Franklyn Seales, Joe Spano, James Whitmore, Michael York, and Harris Yulin.
©1999 Eric Bentley (P)1997 L.A. Theatre Works

On November 24, 1947, the most powerful men in American film met in New York’s plush Waldorf-Astoria Hotel to decide how to address the Communist witch-hunt being carried out by the House Un-American Activities Committee. Twenty-four hours later, they emerged having created the Hollywood Blacklist. The Waldorf Conference dramatically speculates on what went on in that room.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works

The year is 2076, the nation's Tri-Centennial. Guns are outlawed, but the last "seven surviving weapons" are in captivity and on display in your city zoo. Billy the Kid's Colt.45, Andrew Jackson's Dueling Pistol, a retired Military Rifle, a backwoods Hunting Rifle, a playful plastic Toy Gun, an unfinished Nuclear Handgun, and the flashy Saturday Night Special. In plotting and executing their escape they see for the first time what they were really made for and why they can never be free. This full-cast production features Yeardley Smith, Edward Asner, Tyne Daly, Bruce French, Robert David Hall, Tommy Hicks, Ella Joyce, Marnie Mosiman, and James Reeder.
(P)1997 L.A. Theatre Works; All Rights Reserved

California lawyer Greg Monarch was in no mood for visitors. But it's not every day a federal judge comes knocking at his door, especially with a curious request: to review the final appeal of a murderer on Death Row who personally asked for Greg's assistance. Tired of defending killers, Greg has every intention of turning the case down until he discovers the prisoner is a former lover he hasn't seen in two decades: the fiery, impetuous Sarah Trant.Her fate determined in a verdict rendered five years before, Sarah was found guilty of slashing an old man's throat in central California's sheltered El Nido Valley. All subsequent appeals have been denied. Now, six months from execution, she turns to the one man she hopes can save her. Greg failed once before in trying to rescue Sarah from her private demons. This time, however, the demons may not be just in her head.
©1999 Barry Siegel (P)2005 Phoenix Books, Inc.

Deemed "essential" in the canon of American literature, this audiobook masterpiece performed in its entirety by a full cast makes the classic accessible to everyone. From a cemetery in a fictional mid-American town, the dead speak the truths about their lives. Some speak of hardships and sordidness; others, of their simple, honest, happy lives. Some are elderly and others are youthful or children; mortality has claimed them all. Their voices reach us deeply, alternately plaintive, anguished, enigmatic, angry, contemptuous, and comedic, evoking themes of love and hope, disappointment, despair, and abiding faith. As the Spoon River residents examine their lives, they invite us to do the same.
Public Domain (P)2002 Patrick Franley and the Audio Partners Publishing Corp. Published by The Audio Partners.

Commerce and heroism clash when a titan of American business orchestrates a U.S. invasion of Mexico. This long-lost 1927 Broadway melodrama combines the crackling dialogue and riveting storytelling of The Front Page with Wag the Dog cynicism.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works

David Fishelson has transformed Dostoyevsky’s The Idiot into a spellbinding drama that illuminates the titanic novel. In The Idiot, meet the kindly, childlike Prince Myshkin, as he returns to the decadent social whirl of 1860s St. Petersburg. The two most beautiful, sought-after women in the town compete for his affections, in a duel that grows increasingly dangerous.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works

It’s 1929 as The Jazz Singer hits the silver screen and the talkies promise to change movies forever. Enter three down-and-out vaudevillians who hatch a hare-brained scheme to “make it big” in Tinsel Town. Their plan? To open a voice academy for the witless stars of silent movies. The only things standing in their way are ditzy starlets and power-hungry movie moguls. Starring Ed Asner and directed by Moss Hart’s son, this is top-of-the-bill screwball comedy and Kaufman and Hart genius at its very best. An L.A. Theatre Works full-cast performance featuring (in alphabetical order) Caroline Aaron as Helen Hobart/Miss Chasen; Edward Asner as Herman Glogauer; Jen Dede as Susan Walker; Jeanie Hackett as Mrs. Walker/Miss Leighton; David Kaufman as George Lewis; Katharine Leonard as Florabel Leigh/Bridesmaid #2; Joe Liss as The Porter/Ernest/Mr. Flick/Weisskopf/The Bishop; Kellie Matteson as Phyllis Fontaine/Bridesmaid #1; Jon Matthews as Rudolph Kammerling/Fontaine Chauffer/Leading Man; Sarah Rafferty as May Daniels; Jonathan Silverman as Jerry Hyland; Steve Vinovich as Lawrence Vail/Leigh Chauffer/ Meterstein. Directed by Christopher Hart. Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in October 2009.
©2011 L.A. Theatre Works (P)2011 L.A. Theatre Works

What do fast-talking New York octogenarians Abe and Mabel do when their lifelong grocery store, Pepperstein Produce, is driven out of business by Wonder Food? They embark on the ultimate road trip with a 19-year-old stoner, Wisdom, to Los Angeles to become actors. An L.A. Theatre Works full-cast production, starring Edward Asner; Jonathan Banks; Ed Begley, Jr.; Emily Bergl; Dan Castellaneta; Derek Cecil; Bob Edwards; Clea Lewis; Anne Meara; Kendall Schmidt; and Susan Stamberg. Directed by Gordon Hunt. Recorded in front of a live audience by L.A. Theatre Works.
©2015 L.A Theatre Works (P)2015 L.A Theatre Works

Celebrated private eye Lew Archer is hired by a father intent on preventing the marriage of his daughter to a penniless and possibly murderous artist. The chase takes Archer from Mexico to Lake Tahoe and from the San Francisco Bay area to Los Angeles as more than one murder crowds the investigation.
©2000 KCRW (P)2000 Ross MacDonald

Eight highly diverse works from one of America’s most prolific and versatile authors. This collection includes an exclusive dramatization of Oates’ best-selling novel American Appetites; two comedic plays, The Perfectionist and The Truth Teller; four short plays (Gulf War, Black, The Key, and Tone Clusters); as well as her libretto for Black Water: An American Opera, composed by John Duffy. American Appetites: The façade of an affluent suburban couple crumbles under the weight of tragedy and scandal in this exclusive dramatization of Joyce Carol Oates’ best-selling novel. Cast: Lisa Akey, Keith Carradine, Alastair Duncan, Paul Eiding, Anna Gunn, Dan Lauria, Jean Louisa Kelly, Frank Muller, B.J. Ward, Elizabeth Ward Land, Liza Weil, and Tegan West. The Perfectionist: Joyce Carol Oates turns her satiric eye to Tobias Harte, a man obsessed with perfection in everything from ethics to egg salad. Rollicking comedy ensues as Harte struggles with his highly imperfect family and friends. Cast: Barbara Bosson, Annabeth Gish, Harold Gould, Valerie Landsburg, David Schwimmer, and David Selby. The Truth Teller: Joyce Carol Oates’ hilarious take-off on a classic Southern play begins when liberated Hedda arrives home to visit the family estate, ruled by the family’s tyrannical patriarch, “Tiny” Culligan. Cast: Charles Durning, Arthur Hanket, Gary Kroeger, Marsha Mason, Priscilla Pointer, William Schallert and JoBeth Williams. Black Water - An American Opera: A tragic and beautiful opera based on the Chappaquiddick scandal. Libretto by Joyce Carol Oates, with music by John Duffy. Cast: David Lee Brewer, Reid Bruton, Stephanie Buckley, Karen Burlingame, Kimberly Graham, Linda Kerns, Erin Langston, Patrick Mason, John Savarese, and Rob Shacklett. Gulf War (one-act play): An affluent young couple, entertains an older couple for an evening of cocktails and politics during the Gulf War. But as the evening continues, the conversation take a bizarre and absurd tone. Cast: Edward Asner, Stephanie Dunnam, Nan Martin, and Joe Spano. Black (one-act play): In this evening of cocktails and dinner, a couple anxiously awaits the arrival of an ex-husband. As the wine glasses are drained, the evening becomes dark and intense, revealing the true colors of the characters in this eerie love triangle. Cast: Stephanie Dunnam, Rif Hutton and Joe Spano. The Key (one-act play): A hilarious perverse encounter between Melissa, a vacationing suburban housewife, recently separated from her husband, and Edwin, a prosperous businessman. Cast: Edward Asner, Hector Elizondo, Don Reed, Joyce Van Patten, and JoBeth Williams. Tone Clusters (one-act play): A chilling tragi-comedy that takes the form of an interview between a middle-aged, middle-class American couple and the media. Cast: Edward Asner, Hector Elizondo, Don Reed, Joyce Van Patten and JoBeth Williams.
Public Domain (P)2011 L.A. Theatre Works

In the folklore of Eastern European Jewry, a dybbuk is a wandering soul that comes to rest in the body of a living person. In this case, the dybbuk is an impoverished student that possesses a young bride on her wedding day. She is taken to a great Chassidic rabbi for exorcism. But before he can expel the spirit, the sage must discover who the dybbuk was in life, why he has possessed the maiden, and most importantly, how to balance the scales of cosmic justice. Part folk tale, part love story, and part allegory, "The Dybbuk" recreates the atmosphere of a bygone era, with all its rich humor, music, folkways, magic, and humanity.This Audie Award-winning production of the most revered drama in the Yiddish repertoire is the only sound recording of the play in the English language.
©1996 Yuri Rasovsky (P)2003 Blackstone Audio, Inc.