Matthew Wolf has narrated 18 audiobooks on Listento.it by 19 authors, with an average listener rating of 4.3★ across 255 ratings. The most-rated is The Red Knight.

Twenty-eight florins a month is a huge price to pay for a man to stand between you and the Wild. Twenty-eight florins a month is nowhere near enough when a wyvern's jaws snap shut on your helmet in the hot stink of battle, and the beast starts to rip the head from your shoulders. But if standing and fighting is hard, leading a company of men - or worse, a company of mercenaries - against the smart, deadly creatures of the Wild is even harder. It takes all the advantages of birth, training, and the luck of the devil to do it. The Red Knight has all three, he has youth on his side, and he's determined to turn a profit. So when he hires his company out to protect an Abbess and her nunnery, it's just another job. The abbey is rich, the nuns are pretty, and the monster preying on them is nothing he can't deal with. Only it's not just a job. It's going to be a war.... The Red Knight is the first book of The Traitor Son Cycle.
©2013 Miles Cameron (P)2013 Hachette Audio

John Lennon achieved with the Beatles a level of superstardom that defied classification. "We were the best bloody band there was," he said. "There was nobody to touch us." In the summer of 1980, Lennon signs with a label and hires a top producer to recruit the best session musicians, ready to record new music for the first time in years. They are awestruck when Lennon dashes off "(Just Like) Starting Over". Lennon is back in peak form, with his best songwriting since "Imagine". The Last Days of John Lennon is the amazing story of John Lennon's life and career, from his earliest days and first songs up to his last seconds. It tells the story of the most profound rock-and-roll genius of all time - and of the consummate Nowhere Man who took him from us. Even as Lennon leaves the Beatles, becoming a solo artist and making a life with Yoko Ono in New York City, Mark David Chapman has become obsessed with murdering his former hero. Chapman is convinced that Lennon has squandered his talent and betrayed fans with messages of hope and peace. He quits his security job in Hawaii, signing out as "John Lennon", and boards a flight to New York, a handgun and bullets stowed in his luggage. He's never going home again. Only James Patterson could weave the remarkable life of John Lennon with the story of the ultimate loser who destroyed him in a heartbreakingly beautiful and immediate take of genius and loss. Enriched by exclusive interviews with Lennon's friends and associates, including Paul McCartney, The Last Days of John Lennon is a true-crime drama about two men who changed history. One whose indelible songs enliven our world to this day - and the other who ended the beautiful music with five pulls of a trigger.
©2020 James Patterson, Casey Sherman, and Dave Wedge (P)2020 Little, Brown & Company

Miles Cameron weaves a tale of magic and depravity in the sequel to The Red Knight. Loyalty costs money. Betrayal, on the other hand, is free. When the Emperor is taken hostage, the Red Knight and his men find their services in high demand - and themselves surrounded by enemies. The country is in revolt, the capital city is besieged, and any victory will be hard won. But the Red Knight has a plan. The question is, can he negotiate the political, magical, real, and romantic battlefields at the same time - especially when he intends to be victorious on them all?
©2014 Miles Cameron (P)2014 Hachette

For countless millennia, the dwarves of the Fifthling Kingdom have defended the stone gateway into Girdlegard. Many and varied foes have hurled themselves against the portal and died attempting to breach it. No man or beast has ever succeeded. Until now... Abandoned as a child, Tungdil the blacksmith labors contentedly in the Kingdom of Fifthling the only dwarf in a kingdom of men. Although he does not want for friends, Tungdil is very much aware that he is alone - indeed, he has not so much as set eyes on another dwarf. But all that is about to change. Sent out into the world to deliver a message and reacquaint himself with his people, the young foundling finds himself thrust into a battle for which he has not been trained. Not only his own safety, but the life of every man, woman and child in Girdlegard depends upon his ability to embrace his heritage. Although he has many unanswered questions, Tungdil is certain of one thing: no matter where he was raised, he is a true dwarf. And no one has ever questioned the courage of the Dwarves.
©2012 Markus Heitz (P)2012 Hachette Audio

Legendary spy and art restorer Gabriel Allon is at work in Venice repairing an altarpiece when he receives an urgent summons from the Italian police. The art dealer Julian Isherwood has stumbled upon a murder scene in Lake Como, and is being held as a suspect. To save his friend, Gabriel must perform one simple task: Find the most famous missing painting in the world. Sometimes the best way to find a stolen masterpiece is to steal another one.... The dead man is a fallen spy with a secret: he has been trafficking in stolen artworks and selling them to a mysterious collector. Among those paintings is the world's most iconic missing masterpiece: Caravaggio's Nativity with St. Francis and St. Lawrence. Gabriel embarks on a daring gambit to recover the Caravaggio that will take him on an exhilarating hunt - from Marseilles and Corsica, to Paris and Geneva, and, finally, to a small private bank in Austria, where a dangerous man stands guard over the ill-gotten wealth of one of the world's most brutal dictators.…
©2014 Daniel Silva (P)2014 HarperCollins Canada

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language. Includes an interview with director Michael Hackett, professor of Theater in the School of Theater, Film and Television at UCLA. An L.A. Theatre Works full cast performance featuring: James Marsters as Jack Charles Busch as Lady Bracknell Emily Bergl as Cecily Neil Dickson as Lane and Merriman Jill Gascoine as Miss Prism Christopher Neame as Chasuble Matthew Wolf as Algernon Sarah Zimmerman as Gwendolen Directed by Michael Hackett. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works

The most iconic love story of all time, Shakespeare's Romeo and Juliet is an epic-scale tragedy of desire and revenge. Despite the bitter rivalry that exists between their families, Romeo Montague and Juliet Capulet have fallen madly in love. But when the long-running rivalry boils over into murder, the young couple must embark on a dangerous and deadly mission to preserve their love at any cost. An L.A. Theatre Works full-cast performance featuring Calista Flockhart as Juliet; Matthew Wolf as Romeo; Julie White as Nurse; Alan Mandell as Friar Laurence; Richard Chamberlain as Prince Escalus; Nicholas Hormann as Lord Capulet; Josh Stamberg as Mercutio; Mark J. Sullivan as Benvolio and others; Logan Fahey as Tybalt and Balthasar; Alfred Molina as Chorus; Henry Clarke as Paris and others; Lily Knight as Lady Capulet; Janine Barris as Young Lady, Boy Page to Paris and others; Darren Richardson as Sampson and Peter; Alan Shearman as Lord Montague and others; André Sogliuzzo as Gregory and others; and Sarah Zimmerman as Lady Montague and others. Directed by Martin Jarvis. Recorded at the Invisible Studios, West Hollywood in January, 2012.
©2012 L.A. Theatre Works (P)2012 L.A. Theatre Works

As a young Jewish man in 17th century Amsterdam, Baruch de Spinoza excelled as a theological student; but as he encountered free-thinking Protestants, atheists, and radicals in this relatively tolerant city, he began to question his religion and the nature of God. As a result, he was branded a heretic and faced excommunication. An L.A. Theatre Works full-cast performance featuring: Matthew Wolf as Baruch de Spinoza; Edward Asner as Abraham van Valkenburgh; Richard Easton as Saul Levi Mortera; Andrea Gabriel as Clara; Arye Gross as Ben Israel; Amy Pietz as Rebekah; James Wagner as Simon de Vries. Directed by Rosalind Ayres. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.
©2011 L.A. Theatre Works (P)2011 L.A. Theatre Works

An award-winning writer re-imagines the life of Jesus, from the points of view of four people closest to him before his death. This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down. It was a time of political power-play and brutal tyranny. Men and women took to the streets to protest. Dictators put them down with iron force. In the midst of it all, one inconsequential preacher died. And either something miraculous happened, or someone lied. Viscerally powerful in its depictions of the period - massacres and riots, animal sacrifice and human betrayal - The Liars' Gospel makes the oldest story entirely new.
©2013 Naomi Alderman (P)2013 Hachette Audio

Gaslit London is brought to its knees in David Morriell's brilliant historical thriller. Thomas De Quincey, infamous for his memoir Confessions of an English Opium-Eater, is the major suspect in a series of ferocious mass murders identical to ones that terrorized London 43 years earlier. The blueprint for the killings seems to be De Quincey's essay "On Murder Considered as One of the Fine Arts". Desperate to clear his name but crippled by opium addiction, De Quincey is aided by his devoted daughter, Emily, and a pair of determined Scotland Yard detectives. In Murder as a Fine Art, David Morrell plucks De Quincey, Victorian London, and the Ratcliffe Highway murders from history. Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.
©2013 David Morrell (P)2013 Hachette Audio

Legendary thriller writer David Morrell transports readers to the fogbound streets of London, where a killer plots to assassinate Queen Victoria. The year is 1855. The Crimean War is raging. The incompetence of British commanders causes the fall of the English government. The empire teeters. Amid this crisis comes opium-eater Thomas De Quincey, one of the most notorious and brilliant personalities of Victorian England. Along with his irrepressible daughter, Emily, and their Scotland Yard companions, Ryan and Becker, De Quincey finds himself confronted by an adversary who threatens the heart of the nation. This killer targets members of the upper echelons of British society, leaving with each corpse the name of someone who previously attempted to kill Queen Victoria. The evidence indicates that the ultimate victim will be Victoria herself.
©2015 David Morrell (P)2015 Hachette Audio

Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre Works

It all begins with a call to the police. A 16-year-old boy, Roger Eriksson, has gone missing in the town of Västerås. A search is organized and a group of young scouts makes an awful discovery in a marsh: Roger is dead. Meanwhile, Sebastian Bergman, psychologist, criminal profiler, and one of Sweden's top experts on serial killers, is in Västerås to settle his mother's estate following her death. Sebastian has withdrawn from police work after the death of his wife and daughter in the 2004 tsunami. When the Crime Investigation Department asks Sebastian for his help in Roger's case, his arrogant manner at first alienates the rest of the team. Pushing forward, though, they begin to make disturbing discoveries about the private school Roger attended....
©2013 Michael Hjorth (P)2013 Hachette Audio

In this riveting political drama, Sara, along with her German husband Kurt, returns to the opulent Washington, DC, mansion of her mother, Fanny, after years away in Europe. With Hitler and Mussolini assuming full power, Kurt finds himself blackmailed for his anti-Fascist activities as the conflict in Europe crosses the hearth of this tranquil home. An L.A. Theatre Works full-cast production, starring: Edita Brychta as Anise Jonathan Cake as Kurt Müller Heidi Dippold as Sara Müller Anna Lyse Erikson as Babette Müller Susannah Fiedling as Marthe de Brancovis Lovensky Jean-Baptiste as Joseph Taj Jegaraj as Joshua Müller Susan Sullivan as Fanny Farrelly Patrick Wenk-Wolff as Teck de Brancovis Matthew Wolf as David Farrelly Adam Wylie as Bodo Müller Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA, in October 2017.
©1941 Lillian Hellman (P)2018 L.A. Theatre Works

In this unique audio adaptation of Neil Simon’s screenplay, Paula McFadden’s a down-on-her-luck actress who’s forced to take in a new roommate - the eccentric, noisy, and generally unpleasant Elliot Garfield - who also happens to be an actor. As their careers and finances hit new lows, their reluctant partnership threatens to turn into something neither one wants. Recorded before a live audience at the UCLA James Bridges Theater in January 2018. Director: Rosalind Ayres Producing Director: Susan Albert Loewenberg Ellis Greer as Donna Douglas and Others Anna Mathias as Multiple Roles Matthew Floyd Miller as Elliot Garfield Amy Pietz as Paula McFadden Raini Rodriguez as Lucy André Sogliuzzo as Multiple Roles Inger Tudor as Mrs. Crosby and Others Matthew Wolf as Mark Bodine and Others Adam Wylie as Multiple Roles Associate Artistic Director: Anna Lyse Erikson Recording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West Hollywood Music Supervisor: Ronn Lipkin Sound Effects Artist: Jeff Gardner Production Manager: Katie Friesen Editor: Mitchell Lindskoog Assistant Engineer: Julian Nicholson
©1993 Neil Simon (P)2018 L.A. Theatre Works

In this original adaptation of E.M. Forster’s novel, an encounter in Florence and an offer to exchange rooms brings George Emerson to the attention of Lucy Honeychurch. Their flirtation is cut short by Lucy’s chaperone, but when they meet again back home in England, Lucy must negotiate the demands of her station with the desires of her heart. Includes an interview with Julian Sands. Recorded before a live audience at UCLA's James Bridges Theater in March 2019. Adapted and Directed by Kate McAll Producing Director: Susan Albert Loewenberg Rosalind Ayres as Charlotte Bartlett Edita Brychta as Mrs. Honeychurch, Miss Lavish, Signora Alastair James Murden as Freddy Honeychurch, Guide, Italian Driver Moira Quirk as Miss Catherine Alan, Miss Teresa Alan, Maid Darren Richardson as Mr. Beebe and Sir Harry Julian Sands as Mr. Emerson Eugene Simon as George Emerson Eleanor Tomlinson as Lucy Honeychurch Matthew Wolf as Cecil Vyse, Shopkeeper, English Driver Associate Artistic Director: Anna Lyse Erikson. Sound Designer, Recording and Mixing Engineer: Mark Holden for The Invisible Studios, West Hollywood. Senior Radio Producer: Ronn Lipkin. Foley Artist: Brian Wallace. Production Manager: Jessie Vachiano. Editor: Julian Nicholson
©2019 L.A. Theatre Works (P)2019 L.A. Theatre Works

A Scottish meteorologist locks horns with his American counterpart as both men try to convince General Dwight D. Eisenhower that they can accurately predict the atmospheric conditions needed to launch the greatest amphibious assault in the history of mankind - the D-Day invasion. Recorded before a live audience at the UCLA James Bridges Theater in October 2019. Director: Martin Jarvis Producing Director: Susan Albert Loewenberg Jonathan Cake as Group Captain James Stagg Josh Cole as Lieutenant Andrew Carter Sarah Drew as Kay Summersby Mike McShane as Colonel Irving P. Krick James Morrison as General Dwight D. Eisenhower Darren Richardson as Electrician, Air Chief Marshal Trafford Leigh-Mallory, Commander Franklin André Sogliuzzo as General “Tooey” Spaatz, Lieutenant Battersby Matthew Wolf as Admiral Bertram Ramsay, Hamilton Associate Artistic Director: Anna Lyse Erikson Recording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West Hollywood Senior Radio Producer: Ronn Lipkin Foley Artist: Brian DeShazor Production Manager: Erica R. Christensen Editor: Mitchell Lindskoog
©2019 David Haig (P)2019 L.A. Theatre Works

Based on the true story of renowned social psychologist Stanley Milgram, Please Continue recounts the infamous obedience experiments at Yale in the 1960s. In that study, participants were asked to administer strong electric shocks to a subject who gave the wrong answer to a question, not knowing that the shocks were fake, and they were the real subject of the study. The play examines how the experiments gave insight into the nature of authoritarianism and individual morality. Includes an interview about science and ethics with Mary Helen Immordino-Yang, a Professor of Education at the Rossier School of Education, a Professor of Psychology at the Brain and Creativity Institute, and a member of the Neuroscience Graduate Program Faculty at the University of Southern California. Please Continue is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. Directed by Rosalind Ayres. An L.A. Theatre Works full cast performance featuring: Tara Lynne Barr as Margaret Hopson Will Brittain as James Sanders Jake Green as Saul Dashoff Taj Jegaraj as Harold Burden Rob Morrow as Reverend William Sloane Coffin, Jr. James Scully as Mitchell Halverson III Mark Jude Sullivan as Francis Dunleavy Matthew Wolf as Dr. Stanley Milgram Sound Effects Artist: Jeff Gardner. Script Supervisor, Nikki Hyde. Music Supervisor, Ronn Lipkin. Associate Artistic Director, Anna Lyse Erikson. Recording Engineer, Sound Designer and Editor, Erick Cifuentes. Mixed by Mark Holden for The Invisible Studios, West Hollywood. Recorded at The Invisible Studios, West Hollywood.
©2019 L.A. Theatre Works (P)2019 L.A. Theatre Works