Cheryl Mullenax has 3 audiobooks on Listento.it, narrated by 3 narrators, with an average listener rating of 3.7★ across 14 ratings. The most-rated is Year's Best Hardcore Horror, Volume 1.
Year's Best Hardcore Horror, Volume 1
Summary
Excerpt from the introduction: Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). We staked out our territory and nailed this to the wall to guide us: Year's Best Hardest Horror Not your mama's best-of horror annual. This stuff comes from the edge of the abyss, stories you read at your own risk because you feel the abyss looking right back into you through the tainted lens of each twisted tale. Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex, and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect. Some of these quieter tales offer the listener some time to recover from the more disturbing ones preceding. Most of the stories collected here are from small and specialty press anthologies, with a few from periodicals, like the prestigious Splatterpunk Zine in the UK and Thuglit here in the US. Bizarro is also represented with a couple of tales from the unlikely anthology Blood for You: A Literary Tribute to GG Allin from Weirdpunk Books. (If you're not familiar with the late GG Allin, you can find snippets from some of his outrageous and obscene punk shows online, which will increase your appreciation of those two tales.) So for now, forget about that neighbor you suspect is a serial killer, don't worry about the drunk driver that could take you out on your next trip to the store, push those troubling news stories to the back of your mind, and immerse yourself in the imaginary horrors at hand. But don't be surprised if you sense something dark staring back at you from between the lines. That is to be expected when you enter these forbidding realms. With any luck, you may find something useful to help you survive the approaching Apocalypse. Full list of authors includes Adam Howe, Robert Essig, Adam Cesare, Clare de Lune, David James Keaton, and Monica J. O'Rourke.
©2016 Comet Press (P)2016 Comet Press
Year's Best Hardcore Horror, Volume 5
Summary
2019. The year certainly made its mark on the world - and more than its share of scars. It also made for a bounty of good horror stories of the extreme kind, the best of which the tales herein serve to illustrate. 2019 was the year Year's Best Hardcore Horror went global. Not by design but because the stories inside just happened to have been written by authors hailing from various parts of the globe. From Australia by way of South Africa, to Italy, Scotland, Norway, Taiwan, North America and India - the common denominator being that their tales come from darkest regions of imagination. Table of contents: "Going Global: Introduction" by Randy Chandler and Cheryl Mullenax "Feast for Small Pieces" by Hailey Piper "Goddess of Gallows" by Kristopher Triana "Late Night Incident at the White Trash Motel" by Duane Bradley "A New Mother’s Guide to Raising an Abomination" by Gwendolyn Kiste "Upper Crust" by Michael Paul Gonzalez "Redless" by Annie Neugebauer "A Touch of Madness" by Tim Waggoner "Paradisum Voluptatis" by Joanna Koch "Radix Malorum" by Sean Patrick Hazlett "Lackers" by Leo X. Roberson "Why Do Birds Suddenly Appear?" by Rajiv Moté "Darjeeling" by Syon Das "Mrsa Me" by Alicia Hilton "What Did You Do to The Children?" by David L Tamarin "Have a Heart" by Matthew V. Brockmeyer "Swings and Suspensions" by D.A. Xiaolin Spires "Kirti" by Alessandro Manzetti "The Tea and Sugar Train" by Deborah Sheldon "Screams for Stargirl" by Ben Pienaar "Queer Weather" by Scáth Beorh
©2020 Red Room Press (P)2020 Red Room Press
Year's Best Hardcore Horror, Volume 4
Summary
Red Room Press is extremely proud to present its fourth annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2018 that breaks boundaries and trashes taboos. First up is Vigil by Chad Lutzke. Chad takes us into a neighborhood where a steady stream of decayed corpses are exhumed from a neighbor’s cellar. Extreme olfactory horror at its best. Deborah Sheldon went under the knife for the inspiration of Hair and Teeth, and the result is a tale of gynecological body horror likely to terrify women and make most men squeamish. With Rut Season Brain Hodge makes a return to Year’s-best stories in a tale as chilling as it is heart-wrenching, inspired by a thousand-mile drive littered with roadkill and some personal tragedies. Control by Jeff Parsons introduces us to a meth addict stalking potential victims in Central Park to get money for the next score. Annie Neugebauer is back with Cilantro, a Neugebauerian yarn of culinary chaos sure to turn stomachs and cause nightmares. Tim Waggoner likewise returns this year with Voices Like Barbwire, an exploratory dig into old wounds and painful memories. Rebecca Rowland’s Bent wins the Most Cringe-worthy Story honor with her twisted tale of extreme body horror. Her well-drawn characters seem to come off the page but God forbid they do. Their idea of a pretzel party is truly twisted. Scath Beorh takes Lovecraftian cosmic horror to its next level with Lord of the Mesa. Sean Patrick Hazlett’s story The Godhead Grimoire possesses dangerous religious overtones and a forbidden bloodthirsty book. Carnal Bodies by R.E. Hellinger is a shocking story of baroque horror and demonic necrophilia from Two Dead Queers Present: Guillozine. You’ll have to read this one to believe it. In Crossroads of Opportunity Ed Kurtz and doungjai gam take you on a-deal-with-the-devil-at-the-crossroads trip with a son driving his dead mother to an uncertain destination. Trouble is, his mother is a bit of a backseat driver and she just won’t shut up. Seras Nikita’s Dad’s Famous Preserves won’t do much for your appetite but it will show you a recipe for disaster when a jungle missionary’s foot infection blossoms into a stomach-churning nightmare. The Bearded Woman, brought all the way from Rome, Italy, by the inimitable Alessandro Manzetti. His dystopian future tale takes us for a ride in the Bearded Woman’s circus trailer as she and her dwarf husband bring their marriage to a bloody end. Sara Tantlinger’s The Devil’s Dreamland takes us inside the Murder Castle of the infamous H.H. Holmes with her brilliant narrative poem of macabre beauty. Frank Oreto’s All God’s Creatures Got Reasons reveals that there are real monsters walking among us, monsters with a savage appetite for young flesh, but they are so skilled at covering their tracks, we never even know they’re there. The Ugly by J.R. Park introduces us to a couple of sweet little kids who may have a good reason for torturing and eating cats. It’s a way to keep the ugly at bay. Or is it? Doug Ford’s I Have a Confession takes a coldblooded plunge into sex with a ghost. But what if it’s not a ghost? In When the Owls Call Lyman Graves takes us “stealth camping” in a Texas park after hours, where a strange and dangerous gathering is taking place. David Lynch might say, “The owls are not what they seem”. But are they? Jeremy Thompson is back this year with his nefarious pal the Hallowfiend in Bloodletting and Intrigue on All Hallows’ Eve’. With a stylistic nod to Ray Bradbury, Jeremy delivers on our promise that something twisted this way comes. Capping it all off, Alicia Hilton serves up Monkey See, Monkey Do as a tasty little nightcap (for those with hardcore tastes). Salud! Sleep well. If you can. - Randy Chandler and Cheryl Mullenax
©2019 Red Room Press (P)2019 Red Room Press