Moustafa Gadalla has 15 audiobooks on Listento.it, narrated by 2 narrators, with an average listener rating of 4★ across 1 ratings. The most-rated is The Egyptian Hieroglyph Metaphysical Language.
The Egyptian Hieroglyph Metaphysical Language
Summary
This audiobook covers the Egyptian hieroglyph metaphysical language of images/pictures - the language of the mind/intellect/divine; the scientific/metaphysical realities of pictorial images (hieroglyphs) as the ultimate medium for the human consciousness that interpret, process, and maintain the meanings of such images; how each hieroglyphic image has imitative and symbolic (figurative and allegorical) meanings; the concurrence of modern science of such multiple meanings of each image; how Egyptian hieroglyphic images represent metaphysical concepts; the metaphysical significance of a variety of about 80 Egyptian hieroglyphic images.
©2017 Moustafa Gadalla (P)2019 Moustafa Gadalla
The Ancient Egyptian Universal Writing Modes
Summary
This book will show how the Egyptians had various modes of writings for various purposes, and how the Egyptian modes were falsely designated as "separate languages" belonging to others, and how this one original language came to be called Greek, Hebrew, Arabic, and other "languages" throughout the world - through deterioration of sound values via "sound shifts", as well as foreign degradation of the original Egyptian writing forms. The book is divided into seven parts with a total of 24 chapters, as follows: Part I. Denial, Distortion, and Diversion has 3 chapters - Chapters 1 to 3: Chapter 1: The Archetypal Primacy of The Egyptian Alphabet shows the role and remote history of alphabetical letter-forms writing in Ancient Egypt prior to any other place on earth. Chapter 2: The Concealment of The Supreme Egyptian Alphabets will show the incredible western academia scheme to conceal the Ancient Egyptian alphabetical letter-forms from its prominent position in the history of writing. Chapter 3: The Diversion of A Proto-Sinaitic "Phoenician Connection" will uncover all the facts about having "Phoenicians" as the inventor of alphabets on an Egyptian soil! Part II. Formation and Forms of Egyptian Alphabetic Writings has 6 chapters - Chapters 4 to 9: Chapter 4: Genesis of Egyptian Alphabetic Letters/Writing Chapter 5: The Egyptian Sound Organization of Letters will cover the primary three vowels as the originators of all vowel sounds and associated consonants. Chapter 6: The Egyptian Alphabetic Writing Styles will sort out present common confusion of Ancient Egyptian styles of writing and set the two primary styles as uncials and cursive. Chapter 7: The Profession of Egyptian Scribes will cover the range of Egyptian writings; the profession of scribes; writing surfaces & instruments; etc Chapter 8: Multiple Writing Forms of a Single Document Chapter 9: Multiple Writing Forms of The Rosetta Stone Part III. How The One World Language Became The Many has five chapters - Chapters 10 to 14: Chapter 10: The Beacon of the Ancient World Chapter 11: Common Characteristics of Ancient Egyptian Alphabetic Writing System Chapter 12: Letter-forms Divergence of World Alphabets From Its Egyptian Origin Chapter 13: Sound Divergence of World Alphabets From Its Egyptian Origin Chapter 14: Cavalier Designations of New Languages will cover how a new language is awarded as a symbol of identity for winners of wars and new religions; etc Part IV. The Primary Linguistic Characteristics of The Egyptian Language has one chapter - Chapter 15: Chapter 15: The Primary Linguistic Characteristics of The Egyptian Language
©2017 Moustafa Gadalla (P)2019 Moustafa Gadalla
Egyptian Cosmology
Summary
This third edition surveys the applicability of Egyptian cosmological concepts to our modern understanding of the nature of the universe, creation, science, and philosophy. Egyptian cosmology is humanistic, coherent, comprehensive, consistent, logical, analytical, and rational. Discover the Egyptian concept of the universal energy matrix and the creation process accounts. Hear about numerology, dualities, trinities, as well as the numerical significance of numbers up to the number 10; how the social and political structures were a reflection of the universe; the cosmic role of the pharaoh; and the interactions between earthly living and other realms; how the human being is related to the universe; the Egyptian astronomical consciousness; the earthly voyage; climbing the heavenly ladder to reunite with the source; etc. This expanded version of the audiobook is divided into five parts containing a total of 21 chapters.
©1997, 2001, 2016, 2018 Moustafa Gadalla (P)2018 Moustafa Gadalla
Egyptian Alphabetical Letters of Creation Cycle
Summary
This audiobook focus on the relationship between the sequence of the creation cycle and the Egyptian ABGD alphabets; the principles and principals of Creation; the cosmic manifestation of The Egyptian Alphabets; the three Primary Phases of the Creation Cycle and their numerical values; the creation theme of each of the three primary phases, as well as an individual analysis of each of the 28 ABGD alphabetical letters that covers each' s role in the Creation Cycle, its sequence significance, its sound and writing form significance, its numerical significance, its names and meanings thereof, as well as its peculiar properties and nature/impact/influence. This audiobook is divided into five parts: Part I. Egyptian Alphabetical Letters of Creation Cycle Part II. The Conceiving Phase/Ennead Part III. The Orderly Manifestation Phase/Ennead Part IV. The Reunification Phase/Ennead Part V covers the 28th Mansion/Letter 'Gh' - representing The New Alpha.
©2017 Moustafa Gadalla (P)2019 Moustafa Gadalla
The Untainted Egyptian Origin
Summary
This book is intended to provide a short concise overview of some aspects of the Ancient Egyptian civilization that can serve us well nowadays in our daily life no matter where we are in this world. The book covers matters such as self-empowerment, improvements to present political, social, economical, and environmental issues, recognition and implementations of harmonic principles in our works and actions, etc. Topics presented cover: Our place in the universe and its operational system Understanding oneself and how to sort out each's internal energies to be happy and healthy Problems and old [Egyptian] remedies of political, social and economical conditions How to achieve peaceful coexistence between peoples, land and natural resources; which also deal with having a clean environment Understanding and implementing harmonic principles into building construction Appreciation of art, its functions and applications in harmonic fashion The timeless nature of the Ancient Egyptian civilization
©2016, 2018 Moustafa Gadalla (P)2018 Moustafa Gadalla
Egyptian Divinities: The All Who Are THE ONE
Summary
The Egyptian concept of God is based on recognizing the multiple attributes of the Divine. The book details more than 80 divinities (gods/goddesses), how they act and interact to maintain the universe, and how they operate in the human being - As Above so Below, and As Below so Above. This expanded version of the book consists of two parts with a total of 12 chapters. Part I : The All Who Are THE ONE consists of seven chapters - 1 through 7, as follows: Chapter 1: The One is ALL explains that far from being a primitive, polytheistic form, the Egyptians' ideology is the highest expression of monotheistic mysticism. Chapter 2: The Divine Energies of the Creation Cycle Chapter 3: Manifestation of Neteru in the Orderly Creation Process Chapter 4: Understanding Names, Epithets, & Titles Chapter 5: Narration of Their Manifestations explains how the cosmological knowledge of Ancient Egypt was expressed in a story form. Chapter 6: Common Misrepresentations of the Divinities in Egypt Chapter 7: Man and the Divine Forces covers man's place in the universal order; man as the image of the universe; etc Part II : The Roles of Most Recognized Neteru (gods/goddesses) consists of five chapters, 8 through 12, as follows: Chapter 8: Mystical Pictorial Depictions covers pictorial symbolism of the Nneteru; and how do Egyptian depictions reflect metaphysical concepts through the use of human figuration, animal symbolism, accessories, emblems, color, etc., as well as various action forms. Chapter 9: Most Common Animals and Birds Forms Neteru covers the metaphysical significance of several animal images such as that of the ass, baboon, beetle, Bennu/Benben, bulls, cat, cows [Mehet-Uret (Mehurt, Methyer); Hesat, Hathor], crocodile, dog, egg, falcon, feather, fish, frog, goose, hare, heron, hippopotamus, horse, ibis, lions [lion, lioness & twin-lions(Aker)], Phoenix, rams, serpents, stork, vulture, and winged sun. Chapter 10: Most Common Male & Androgynous Human Forms Divinities covers the metaphysical significance of several male and androgynous human form images such as: Amon(Amen, Amun), Anubis (Anbu, Ubuat, Web-wawet), Apis (Epaphus, Hapis), Aton (Adon), Atum (Atem, Atom, Atam),Bes, Geb (Seb, Keb), Hapi (Hepr), Herishef (Harsaphis, Arshaphes, Arsaphes), Horus (Heru) - [also Hor-Sa-Auset, / Horsiesis (or Harsiesis), Heru-p-Khart / Hor-Pa-Khred / Harpocrates, Horus Behdety /Apollo and Heru-ur, / Haroeris/Harueris], Hor.Akhti / Horachti, Khepri (Khepera), Khnum, Khonsu (Khons), Min (Menu, Amsi, Kamutef), Nefertum - [also, The Triad Ptah-Sokaris-Nefertum], Nun/Nu/Ny, Osiris (Ausar, Usire, Asar), Ptah (Phtas, Vulcan), Re (Ra), Re Hor akhti (Rahorakhty), Reshpu (Reshef, Reseph), Sebek, (Sobek, Suchos), Seth (Set, Sutekh, Typhon), Sokaris (Sokar,Sakar, Seqr), Shu, and Thoth [Tehuti,Hermes, Mercury]
©2018 Moustafa Gadalla (P)2019 Moustafa Gadalla
The Ancient Egyptian Culture Revealed
Summary
This audiobook reveals several aspects of the ancient Egyptian culture, such as the very remote antiquities of Egypt; the Egyptian characteristics and religious beliefs and practices; their social/political system; their cosmic temples; the richness of their language; their musical heritage and comprehensive sciences; their advanced medicine; their vibrant economy; their excellent agricultural and manufactured products; their transportation system; and much more. This expanded version of the audiobook consists of four parts with a total of 16 chapters.
©2016 and 2018 Moustafa Gadalla (P)2019 Moustafa Gadalla
The Musical Aspects of the Ancient Egyptian Vocalic Language
Summary
This audiobook will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The audiobook will show the musical/tonal/tonic Egyptian alphabets - being derived from the three primary tonal sounds/vowels; the fundamentals of generative phonology; and the nature of the four-sound variation of each letter and its exact equivalence in musical notes. It will also show the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs; utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more. This audiobook is divided into 10 chapters. Chapter one: "Historical Deception of the (Ancient) Egyptian Linguistics" will clear the intended confusion to hide the alphabetical form of writing in ancient Egypt - as being the source of all languages throughout the world. Chapter two: "The Seamless Language and/of Music" covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system. Chapter three: "The Human Vocal Instrument" covers the details of the human vocal-generating system and its equivalence in musical instruments. Chapter four: "The Three Primary Tonal Sounds" covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds. Chapter five: "The Musical/Tonal/Tonic Alphabet" covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instrument tonal notations. Chapter six: "Duality of Letters/Musical Tones" shows the dual nature of alphabetical letters and musical tones. Chapter seven: "The 'Atom' of Musical/Vocal Sounds" covers the fundamentals of generative phonology and the nature of the four-sound variation of each letter and its exact equivalence in musical notes. Chapter eight: "The Musical Rhythmic Sound Segmentation" covers the orderly sound segmentation in musical flow and its equivalence in syllables stream - in all variations of length, duration, stress, junctures, boundaries, etc. Chapter nine: "Harmonic/Rhythmic Word Formation/Morphology [Musical Triad]" covers the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs. Chapter 10: "Tonal/Musical Sentences & Their Types/Various Forms [Themes and their variations]" covers the exact similarity between musical structural forms and sentence structures in grammar, syntax, semantics, functions, and forms, etc.
©2018 Moustafa Gadalla (P)2019 Moustafa Gadalla
The Enduring Ancient Egyptian Musical System
Summary
Discover the cosmic roots of Egyptian musical, vocal, and dancing rhythmic forms. Learn the fundamentals (theory and practice) of music in the typical Egyptian way: simple, coherent, and comprehensive. Review a detailed description of the major Egyptian musical instruments, playing techniques, functions, etc. Discover the Egyptian rhythmic practices in all aspects of their lives. This book will make your heart sing. This expanded version of the book: The Enduring Ancient Egyptian Musical System is divided into seven parts containing a total of 22 chapters. Part I: Prelude consists of one chapter: Chapter 1: The Egyptian Musical System will cover a quick background overview of the Egyptian musical system as evident in its archaeological findings. Part II: The Harmony of the Spheres consists of four chapters - 2 through 5: Chapter 2: The Archetypal Cosmic Musical System will cover the basis and role of the harmony of the spheres in adopting the diatonic musical scale as the archetypal musical system. Chapter 3: Music All the Time (24 hours, seven days) will cover and explain the correlations between the hours of the days of the week and their corresponding musical notes. Chapter 4: Energizing the Diatonic Week will cover the natural musical scale, its two energy Centers, and the Egyptian Dorian D-scale. Chapter 5: The Harmonic Three Components will cover the primary basics of the Egyptian harmonic canon. Part III: The Musical Notes consists of two chapters - 6 and 7: Chapter 6: The Derivatives of The Perfect Fifth will cover how the Perfect Fifth progression creates all harmonic musical notes; etc., Chapter 7: The Musical Measuring Unit Part IV: The Egyptian Musical Composition Code consists of six chapters - 8 through 13: Chapter 8: The Musical Framework Varieties Chapter 9: Modes and Musical Structural Forms Chapter 10: The Musical Lyrics will cover the Egyptian vocal musical themes; tc Chapter 11: The Seamless Language of/and Music will cover the intimate relationship between the Egyptian alphabetical language and the musical system; etc., Chapter 12: The Musical Performance will cover the varied methods for maintaining the rhythmic timing/tempo. Chapter 13: The Egyptian Tonal Writing System Part V: The Egyptian Musical Instruments consists of four chapters - 14 through 17: Chapter 14: The Wealth of Instruments will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter 15: Stringed Instruments Chapter 16: Wind Instruments Chapter 17: Percussion Instruments Part VI: Maintaining the Heavenly Rhythms consists of four chapters - 18 through 21: Chapter 18: The Universal Harmony will cover the role of music in maintaining the universal balance; etc., Chapter 19: Rhythmic Dancing will cover the significance of dancing as well as dancing types and formations. Chapter 20: The Harmonic Practices will cover the profession of musicians in Ancient (and present-day) Egypt; the temple musical activities; the applications of music in the various public activities. Chapter 21: The Harmonic Sound Man will cover the application of music in the various stages of human lives - from cradle to grave. Part VII: Postlude consists of one chapter - 22: Chapter 22: And the Beat Goes On will cover the endurance of the Ancient Egyptian musical traditions into present times. Appendices A through E provide expansions on some topics that were discussed in the various chapters.
©2018, 2016 Moustafa Gadalla (P)2019 Moustafa Gadalla
Isis the Divine Female
Summary
This audiobook explains the divine female principle as the source of creation - both metaphysically and physically; the feminine dual nature of Isis with Nephthys; the relationship (and oneness) of the female and male principles; the numerology of Isis and Osiris; Isis’ role as the Virgin Mother; explanation of about 20 female deities as the manifestations of the feminine attributes; the role of Isis’ ideology throughout the world; the allegory of Isis, Osiris, and Horus; and much more. This book will fill both the mind with comprehensive information as well as the heart - with the whole spectrum of emotions. This expanded edition of the audiobook is divided into eight chapters and three appendices. Chapter 1: The Mother of Creation covers Isis' role in the creation sequence, being an image of the totality of creation, and her relationship to Re and Osiris. Chapter 2: The Duality of Isis covers her basic dual nature as the Divine Intellect as well as in the creation cycle and the universal womb. Chapter 3: Isis & Osiris - The Dynamic Duo covers the combined roles of Isis and Osiris in the development and generation of all creations in the universe Chapter 4: Isis: The Virgin Mother of 'God' covers her role in the Divine immaculate Conception of her son Horus, the Virginity concept, her flight and refuge - together with her baby son - from the threats of the Evil force, and the sacrifice of her son's life. Chapter 5: The Numerology of Isis & Osiris covers the numbers of Isis and Osiris being 2 and 3 - being the Primary numbers of creation and growth; and how these two numbers generate all forms and shapes, musical harmony and the rhythms of the universe. Chapter 6: Isis' Multitude of Attributes covers 16 female deities - being the manifestation of Isis as the female principle of the created universe. Chapter 7: The Beloved in All Lands covers the spread of the Egyptian religion worldwide; how such beliefs live on in Christianity; and how Ancient Egyptian Isis' related religious festivals are being adopted in Christianity for Mary at the very same dates as the Egyptian calendar. Chapter 8: The Mighty Heart covers the eternal powerful impact of Isis on mankind as the seeker for comfort and cure-all. Appendix 1: Allegory and Egyptian Cosmology covers how well crafted allegories are the best - if not the only - way to covey complex subjects so that information are gained by all. Appendix 2: The Universal Egyptian Allegory - Isis and Osiris covers a shortened version of the story of the Isis and Osiris Egyptian allegory, with emphasis on the role of Isis, as the divine female principle, manifestations and applications. The narrative is shown in broken segments, each followed by a concise metaphysical evaluation of each segment.
©2016, 2018 Moustafa Gadalla (P)2018 Moustafa Gadalla
The Ancient Egyptian Metaphysical Architecture
Summary
This book reveals the Ancient Egyptian knowledge of harmonic proportion, sacred geometry, and number mysticism, as manifested in their texts, temples, tombs, art, hieroglyphs, etc., throughout their known history. It shows how the Egyptians designed their buildings to generate cosmic energy, and the mystical application of numbers in Egyptian works. The book explains in detail the harmonic proportion of about 20 Ancient Egyptian buildings throughout their recorded history. This book is divided into three parts containing a total of 13 chapters Part I: Architectural Concepts - Function and From consists of five chapters - 1 through 5: Chapter 1: The Architectural Canon Chapter 2: The Metaphysical Structure of the Universe Chapter 3: Visitation Sites of the Lower Heavenly Court Chapter 4: The Sealed Pharaohs' Tombs Chapter 5: Egyptian Temples of The Divine Forces Part II: The Physical Manifestation of Metaphysical Concepts consists of five chapters - 6 through 11: Chapter 6: Architectural Constituent Forms of Metaphysical Functions will cover the various architectural forms as manifestation of their corresponding functions [both physically and metaphysically] for "false doors", recessed wall panels, columns and pillars, capitals of columns, porticoes, peristyles, colonnade formations at four different locations, obelisks, statuary images of various roof forms (flat, gable, corbelled, arch & vaulted), stylistic architectural details (architrave, cornice, and torus) and stylistic ornamentation and decoration such as starry ceilings, floral, geometric, figurative, a combination of two or all three, guilloche (misnamed as the Tuscan border), chevron, and scroll pattern. Chapter 7: The Primary Geometrical Shapes/Forms Chapter 8: The Generative Square Root Rectangles - "Irrational numbers" Chapter 9: The Arithmetic Generative Progression Chapter 10: Combined - Arithmetic and Graphic Harmonic Design of Egyptian Buildings Chapter 11: Harmonic Analysis of Ancient Egyptian Works will cover several examples in Ancient Egypt from all eras and throughout Egypt that show the Egyptian applications of the design elements discussed in this book. Examples include temples, tombs, pyramids, shrines, capitals of columns, stelae, pylons and doorways. Part III: The Spirited Communications has two chapters - 12 and 13: Chapter 12: The Animated Metaphysical Images on Walls will cover the metaphysical significance of walls' decoration as well as explanations of various depictions. Chapter 13: Human Activities will cover the roles of humans in activating, maintaining, participating in various rituals and festivities as well as deactivating the powers of the temple when temples and the whole Egypt is under siege.
©2016, 2018 Moustafa Gadalla (P)2019 Moustafa Gadalla
Egyptian Mystics: Seekers of the Way
Summary
Egyptian alchemy and Sufism, with a coherent explanation of fundamentals and practices. This audiobook explains how ancient Egypt is the origin of alchemy and present-day Sufism and how the mystics of Egypt camouflage their practices with a thin layer of Islam. The audiobook also explains the progression of the mystical way toward enlightenment, with a coherent explanation of its fundamentals and practices. It shows the correspondence between the ancient Egyptian calendar of events and the cosmic cycles of the universe. This expanded version of the audiobook is divided into four parts containing a total of 13 chapters and five appendices. Part I: "The Hidden Treasure": Chapter one: "Egyptian Mysticism and Islamized Sufism" will cover the differences between dogmatic and mystical routes and how ancient Egypt is the source of Sufism and alchemy. Chapter two: "The Treasure Within" will cover the limitations of humans' organ of perceptions and how to find realities with such limitations. Part II: "Transformation from Dust to Gold": Chapter three: "The Alchemist Way" will cover the source of alchemy as being ancient Egypt; the progression along the alchemist way; and the role of a guide in the process. Chapter four: "The Purification Process" will cover both outer and inner purifications through the process of living in the world. Chapter five: "Basic Practices" will cover general practices by the Egyptian mystics to increase their awareness of the real world. Chapter six: "The Way to Revelations" will cover the methods by which a mystical aspirant can find knowledge through revelations. Chapter seven: "The Heavenly Helpers" will cover the role and duty of those who attained supernatural powers to help others on earth. Part III: "The Public Visitation Fairs": Chapter eight: "The Cyclical Renewal Festivals" will cover the importance of holding and participating in annual festivals. Chapter nine: "Samples of Ancient-Present Festivals" will cover about a dozen annual ancient Egyptian festivals and how many of them are being observed throughout the Western world. Chapter 10: "The Egyptian Spirited Fairs (Mouleds)" will cover the main elements of a typical festival Chapter 11: "Egyptian Themes of Saint's Nick Traditional Festivities" will cover a comparison between the commonly known Saint Nick's Christmas traditions with a typical ancient Egyptian festival of a folk-saint. Part IV: "Come One Come All": Chapter 12: "Fellowship Formations" covers the general structure and practices to form/participate in a mystical fellowship. Chapter 13: "Auset (Isis) - The Model Philosopher" covers the principles and practices of Sufism as found in the ancient Egyptian allegory of Isis and Osiris.
©2016 Moustafa Gadalla (P)2018 Moustafa Gadalla
Egyptian Romany
Summary
This book reveals the Ancient Egyptian roots of the Romany (Gypsies) and how they brought about the civilization and orientalization of Hispania over the past 6,000 years. The book also shows the intimate relationship between Egypt and Hispania archaeologically, historically, culturally, ethnologically, linguistically, etc., as a result of the immigration of the Egyptian Romany (Gypsies) to Iberia. This expanded version of the book consists of 14 chapters: Chapter One, The Romany (Gypsy) Essence of Hispania, sorts through the subject of the Gypsies and differentiates the Egyptian Romany from non-Egyptian nomadic groups. It highlights their Egyptian characteristics and their different related groups. Chapter Two, Our Heavenly Mother, shows how Ancient Egypt and Iberia share the intense love for the Virgin Mother (known in Ancient Egypt as Isis and in Christianity as Mary/Maria). Chapter Three, Out of Egypt, gives an overview of the major pitfalls in the common theories about the history of Iberia. It provides the accounts of early Egyptian immigration to other countries, and accounts of some of their early settlements in Asia and Europe. Chapter Four, The Egyptian-Hispanic Alloys Chapter Five, In the Beginning - Almeria, highlights the archaeological findings at the early settlements in several Iberian regions - beginning at Almeria, and correlates these activities in Iberia with Ancient Egypt - to show unique similarities and affinities between Ancient Egypt (in pre- and early dynastic times) and Iberia, in all aspects of religion, architecture, farming, metalworking, etc. Chapter Six, Masters of the Seas, shows the supremacy of the Ancient Egypt ships, their sizes, types, and functions. Chapter Seven, Merchants of the Seas, shows that Phoenicians were experienced seafarers and traders and nothing else. The Phoenicians did not have the number of people (or the talent) for the farming, art, industry, and building skills necessary to establish new settlements in Iberia or elsewhere. Chapter Eight, Canopus and Cádiz: A Tale of Two Harbors Chapter Nine, The Assyrian Devastation and Aftershocks, correlates the rise of power of the Assyrians (and later the Persians), to the waves of mass migration from Ancient Egypt, which coincided with the increase in population and the number of settlements in Iberia. Chapter Ten, Romanticizing the Romans, addresses the lack of merit of Romans’ influence in Iberia - in all aspects of Iberian life, such as culture, government, religion, language, society, buildings, etc. Chapter 11, The Moors and the Egyptians, addresses the falsehoods of credits given to the Moors/Moslems/Arabs; and how all these aspects and activities were only found in Egypt. It also shows the huge number of Egyptian settlers. Chapter 12, The Origin of the Hispanic Languages/Dialects, defines the role of the Ancient Egypt language as the mother of all Semitic languages, as well as all other languages/dialects in the Mediterranean Basin and beyond. Chapter 13, The Animated Religious Traditions, shows how the people of both Egypt and the Iberian Peninsula share the same concept of animism, the power of saints, religious pilgrimages, festivals, etc. Chapter 14, The Egyptian-Hispanic Musical Heritage, shows the intimacy between the Egyptians and Iberian heritage as it relates to music, poetry, song, and dance.
©2017, 2018 Moustafa Gadalla (P)2020 Moustafa Gadalla
Egyptian Musical Instruments
Summary
This audiobook presents the major ancient Egyptian musical instruments, their ranges, and playing techniques. The book consists of five chapters: Chapter one - The Wealth of Instruments - will cover the general characteristics of Egyptian instruments as well the major components of the musical orchestra Chapter two - Stringed Instruments - will cover various ancient Egyptian stringed instruments such as lyres, trigonon (zither), and harps, including playing techniques: harps - playing techniques; the all-encompassing capacities of ancient string instruments with neck such as the short-necked lute, the long-necked Egyptian guitars, and bowed instruments (kamanga, rababa). Chapter three - Wind Instruments - will cover the end-blown flute, transverse flute, pan flute, single reed pipe (clarinet), double pipe, double clarinet, double oboe, arghool, and others like bagpipe and organ), as well as horns/trumpets. Chapter four - Percussion Instruments - will cover the membranophone instruments such as drums and tambourines; and the nonmembranophone (idiophone) instruments such as percussion sticks, clappers, sistrums/sistra, cymbals, castanets, bells (chimes), xylophone, and glockenspiel and human parts (hands, fingers, thighs, feet, etc). Chapter five - The Musical Performance - will cover the significance and roles of the fingers and their knuckles in producing and directing musical performances as well as the varied methods for maintaining the rhythmic timing/tempo, including the use of syllables.
©2004, 2017, 2018 Moustafa Gadalla (P)2020 Moustafa Gadalla
The Ancient Egyptian Roots of Christianity
Summary
This book reveals the ancient Egyptian roots of Christianity, both historically and spiritually. This expanded version of the book consists of three parts to coincide with the terms of trinity. The first part demonstrates that the major biblical ancestors of the biblical Jesus are all ancient Egyptian prominent characters. The second part demonstrates that the accounts of the “historical Jesus” are based entirely on the life and death of the Egyptian Pharaoh, Twt/Tut-Ankh-Amen. The third part demonstrates that the “Jesus of Faith” and the Christian tenets are all Egyptian in origin - such as the essence of the teachings/message, the creation of the universe and man (according to the Book of Genesis), as well as the religious holidays. The very thing that is now called the Christian religion was already in existence in Ancient Egypt, long before the adoption of the New Testament. The British Egyptologist, Sir E. A. Wallis Budge, wrote in his book, The Gods of the Egyptians (1969), "The new religion (Christianity) which was preached there by St. Mark and his immediate followers, in all essentials so closely resembled that which was the outcome of the worship of Osiris, Isis, and Horus." The similarities, noted by Budge and everyone who has compared the Egyptian Osiris/Isis/Horus allegory to the Gospel story, are striking. Both accounts are practically the same, e.g. the supernatural conception, the divine birth, the struggles against the enemy in the wilderness, and the resurrection from the dead to eternal life. The main difference between the “two versions” is that the Gospel tale is considered historical and the Osiris/Isis/Horus cycle is an allegory. The spiritual message of the two is exactly the same. The British scholar A.N. Wilson pointed out in his book, Jesus: "The Jesus of History and the Christ of Faith are two separate beings, with very different stories. It is difficult enough to reconstruct the first, and in the attempt we are likely to do irreparable harm to the second." This book will demonstrate that the “Jesus of History”, the ”Jesus of Faith”, and the tenets of Christianity are all ancient Egyptian. This will be done without causing any “irreparable harm” as per A.N. Wilson’s concern, for two main reasons: Firstly, the truth must be told. Secondly, explaining Christian tenets via their original ancient Egyptian contexts will enhance the idealism of Christianity. There is an undeniable irony and a profound, deep, undeniable truth in Hosea’s prophetic saying, "Out of Egypt have I called my Son." A deep irony indeed. Let us open our minds and review the available evidence. For the truth is a composite of different and complementary pieces of a puzzle. Let us put the pieces in the right location, time, and order.
©2016, 2018 Moustafa Gadalla (P)2019 Moustafa Gadalla